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San Francisco can proudly boast more than its fair share of eccentrics, but few can rival Joshua Abraham Norton, the self-proclaimed “Emperor of these United States” and “Protector of Mexico”, for their presumption, bravado and, at times, visionary genius.

Born of Jewish parents (somewhere) in London, England (sometime) between 1814 and 1819, he spent his early manhood in South Africa, serving as a colonial rifleman.  He emigrated to San Francisco in 1849 with $40,000 to his name and quickly amassed a fortune of $250,000, primarily from real estate but also from speculating in commodities. However, he lost it all when his attempts to corner the market for imported Peruvian rice (China had banned the export of their own) backfired spectacularly.  Lengthy litigation resulted in the Supreme Court of California ruling against him, forcing him to declare bankruptcy in 1853.

He fled San Francisco, only to return several years later, a changed man.  Embittered and, many might argue, severely mentally disturbed, by his earlier experiences, he spent the next two decades perpetuating a one man campaign to denounce and dissolve the nation’s political and financial infrastructure.

On 17th September 1859 he issued letters to the city’s newspapers declaring  himself “Emperor of these United States”, adding that:
“At the peremptory request and desire of a large majority of the citizens of these United States, I, Joshua Norton……….declare and proclaim myself Emperor of these United States, and in virtue of the authority thereby in me vested, do hereby order and direct the representatives of the different States of the Union to assemble in Musical Hall, of this city, on the 1st day of Feb. next, then and there to make such alterations in the existing laws of the Union as may ameliorate the evils under which the country is laboring, and thereby cause confidence to exist, both at home and abroad, in our stability and integrity”.

On 12th October he formally dissolved Congress.  Amongst his numerous subsequent decrees were an invocation to the Army to depose the elected officials of Congress, the ordering of the Roman Catholic and Protestant Churches to publicly ordain him as “Emperor” and a telegram proposal to Abraham Lincoln that he should marry Queen Victoria to cement relations between the U.S. and Great Britain. He also thought nothing of issuing orders too to the German Kaiser and Russian Czar.

And on 12th August 1869 he abolished the Democratic and Republican parties (now there’s a thought)!

One portentious pronouncement would have struck a chord later, not only with legendary San Francisco Chronicle columnist, Herb Caen, but many other San Francisco natives:

“Whoever after due and proper warning shall be heard to utter the abonimable word “Frisco”, which has no linguistic or other warrant, shall be deemed guilty of High Misdemeanour, and shall pay into the Imperial Treasury as penalty the sum of twenty-five dollars”.

Irrespective of his mental state, Norton was, at times, a real visionary and some of his “Imperial Decrees” demonstrated great prescience.  He urged the formation of a League of Nations and forbade conflict between religions.  Most dramatically, he called persistently for a suspension bridge or tunnel to be built connecting San Francisco with Oakland. Both eventually saw the light of day with the constructions of the San Francisco-Oakland Bay Bridge and the Bay Area Rapid Transit’s Transbay Tube in 1936 and 1974 respectively.

Another proclamation ordered that a huge Christmas tree should be erected in Union Square. Duly accepted, it has stood there ever since.

Each day for more than 20 years, the “Emperor” would leave his “Imperial Palace”, a minute room in a boarding house at 642, Commercial Street, to walk the streets in a grand blue uniform with brass buttons, gold-plated epaulets and royal purple sash, a beaver hat embellished by a peacock feather (his “dusty plume”) and a rosette.

He was rarely seen without his cane or umbrella as he inspected the condition of the cable cars and sidewalks, the state of public property and even the appearance of police officers. After an over-zealous young police officer had been soundly reprimanded for arresting him, and subsequently been granted an “Imperial Pardon” by Norton himself, all police officers made a point of saluting him when they met in the street.

Many cities would have persecuted, incarcerated or, at best, ridiculed him for being insane. But this was San Francisco in the full flush of post-Gold Rush glory, and the citizens loved and revered him.  He was welcomed at the best restaurants, where he would dine for free, enabling the owner thereafter to erect blass plaques proclaiming “by Appointment to his Imperial Majesty, Emperor Norton I of the United States”.

Front row balcony seats were also reserved for him at local theaters, including the Opera, where he was cheered on arrival. His active involvement in civic affairs even led to him being granted a reserved seat in the visitors’ gallery of the State Senate, from which he was occasionally invited onto the floor to speak on matters close to his heart.

He was alleged to have been accompanied often – including at the theatre – by two mongrel dogs, Bummer and Lazarus, local celebrities in their own right, whom he supplied with food scraps from the free lunch counters that he frequented.  Lazarus died after being run over by a truck of the same fire company – Knickerbocker Engine Co. No. 5 – that Lillian Coit revered and subsequently befriended. When Bummer died shortly afterwards, allegedly of a broken heart, Mark Twain wrote: “He died full of years, and honor, and disease, and fleas”. Their fame led to them posthumously being depicted in Life in San Francisco, a comic opera.

Now, he could not have been a true Emperor without the right to coin his own currency, and his “Imperial Government of Norton” notes, all bearing his royal image and ranging from 50 cents to 10 dollars, were accepted wherever he did business.  Every day he used one of his own fifty cent bills to pay for his lodgings. And when his uniform started to deteriorate, the Board of Supervisors bought him a “suitably regal replacement” and the city charter was amended to permit Norton to collect $30 annually for its replacement and repair.

On the evening of 8th January 1880, after completing his daily rounds of the city, Norton collapsed on the corner of California Street and Dupont Street (now Grant Avenue) in front of Old St. Mary’s Church as he was on his way to a lecture at the California Academy of Sciences.  He died before medical attention could arrive.

The following day the San Francisco Chronicle published his obituary on its front page under the headline “Le Roi est Mort” (“The King is Dead”).  He had died in abject poverty.  His funeral, two days later, was a sad, dignified event, honoured by the attendance of the Mayor and the playing of a military band. Upwards of 30,000 people, a seventh of the entire population of the city at the time, lined the streets to pay their respects to the two mile long funeral cortege.  The City of San Francisco and Pacific Club paid all his funeral expenses.

Mark Twain and Robert Louis Stevenson, amongst others, paid homage to Norton by modelling characters on him in Adventures of Huckleberry Finn  and The Wrecker respectively. Seventy years after his death, the Chronicle sponsored an annual treasure hunt in his name.

But perhaps his, and his adopted city’s, finest epitaph is that provided by Stevenson’s stepdaughter, Isobel Field, who wrote that he “was a gentle and kindly man, and fortunately found himself in the friendliest and most sentimental city in the world, the idea being “let him be emperor if he wants to”.  San Francisco played the game with him”.

More, in the words of John C. Ralston, a “tourist attraction in his own time” than a “significant historical figure”, there can be few lives that better personify that much-quoted phrase “Only in San Francisco”.

Postcript:

Emperor Norton Lives! Not only does he conduct walking tours of his empire but he maintains an excellent Facebook page: https://www.facebook.com/pages/Emperor-Nortons-Fantastic-San-Francisco-Time-Machine/104510419615984

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If you take a left on leaving the Grace Cathedral on San Francisco’s Nob Hill, you will soon find yourself tottering down Taylor Street, one of those hills that appear to drag you down to the bay before your time. Part way down the street on the left, between Green and Union on what is now part of Russian Hill, you will come across a wooden staircase, complete with handwritten sign, where a different form of worship takes place daily.

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Those stairs lead to Macondray Lane, the acknowledged inspiration for Barbary Lane, where at number 28 resided landlady, Anna Madrigal and her “children” in the celebrated Tales of the City novels written by Armistead Maupin. There are few series of books and group of characters more beloved in all of modern literature. Inevitably, therefore, the residents are forced to share their idyll with a steady flow of pilgrims “doing the Tales tour”, taking photos of both the lane itself and the bay “peeping through the trees”, peering into windows and scouring the undergrowth for Mrs Madrigal’s famed “special” plants.  

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Once at the top of the stairs you be walking on a series of cobbled footpaths through what feels like a wooded glade. The charming and diverse styles of houses share the space with profuse flower displays and other rich foliage. It is a magical place that perfectly captures the spirit engendered by Maupin’s books.

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San Francisco boasts some of the most expensive real estate in the whole country. On the rare occasion that a property in Macondray Lane comes onto the market, the asking price is a mere fraction of that demanded in Pacific Heights (though, admittedly, the houses are much smaller).

But I know which I would rather live in.

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Washington may have had its Art Buchwald, London its J.B. Morton (“Beachcomber”) and Dublin the mercurial Myles Na gCopaleen, but few cities can have been as fortunate as San Francisco in having a chronicler (no pun intended) as prolific, urbane and popular as Herb Caen who wrote in its daily newspapers about life in the city, for almost sixty years.  With more than 16,000 columns of over 1,000 words each, lifelong friend, author and restaurateur, Barnaby Conrad, estimated that if “laid end to end, his columns would stretch 5.6 miles, from the Ferry Building to the Golden Gate Bridge”.

Herbert Eugene Caen was born on 3rd April 1916 in Sacramento, though he claimed to have been conceived on the Marina in San Francisco during the 1915 Panama-Pacific International Exposition as his parents spent the summer there “complaining about the cold”.

He joined the Sacramento Union as a sports reporter in 1932 on graduating from high school.  Four years later he was hired to write a radio column for the San Francisco Chronicle, beginning an association that was to last for 50 of the next 61 years.

On the scrapping of the radio column he persuaded the editor, Paul Smith, that he could write a daily column on the city, and  It’s News to Me duly debuted on 5th July 1938, appearing thereafter for six days a week.

When the U.S. entered the Second World War in 1942 he joined the Air Force, assigned to communications, and reached the rank of captain.  Returning to his Chronicle column, he continued to record and comment upon the foibles of local government and personailities.

Caen often referred to San Francisco as Baghdad-by-the-Bay,  a term he coined to reflect the city’s exotic multiculturism.  A collection of his essays bearing the same title was published in 1949, going through seven printings.  In 1953 he published the book Don’t Call it Frisco after an Examiner news item of the same name on 3rd April 1918 when Judge Mogan, presiding in a divorce case, stated that “No one refers to San Francisco by that title except people from Los Angeles”.  Emperor Norton had previously raged against the use of the term and issued one of his imperial proclamations to that effect.

However, a year later, Caen left the Chronicle for higher paid work at the San Francisco Examiner, for which he worked until 1958 when he was persuaded to return to his former employer on the promise of a better salary.  His “homecoming” column was published on 15th January of that year.

In 1976 he published One Man’s San Francisco, a fine collection of some of the best writing from his columns.  In 1988, the fiftieth anniversary of the column was marked by a special edition of the Chronicle’s “Sunday Punch”.  At the age of 75 he decided to slow down by reducing his output from six to five days a week!

Caen was hugely popular and a highly influential figure in San Francisco society.  He was described by the Chronicle as a “major wit and unwavering liberal who could be charming, outspoken and, at times, disagreeable.”

He called his work “three-dot journalism”, in reference to the ellipses by which he separated his column’s short items, all composed on his “Loyal Royal” typewriter.

His writing was imbued with a gentle, dry wit and an intimate knowledge of the politics, society and culture of his adopted city and the wider Bay Area. Hardly a show, party or any other significant event in San Francisco was complete without Caen’s gregarious presence, and his clever, sometimes acerbic, comments on it the next morning in his column.  Conrad said that “he seemed to know everyone in the world; he somehow made them honorary San Franciscans and let us, his readers, have the privilege of knowing them, too”.

His witticisms and plays on words would fill another ten features, but here are a few:

  • “the trouble with born-again Christians is that they are an even bigger pain the second time around”;
  • “I tend to live in the past because most of my life is there”;
  • “cockroaches and socialites are the only things that can stay up all night and eat anything”; and
  • “the only thing wrong with immortality is that it tends to go on forever”.

The Bay Bridge was “the car-strangled spanner”, City Hall “Silly Hall” and Berkeley was “Berserkeley”.

Whilst many of his invented words have passed into history, others have become not only synonymous with San Francisco but entered the everyday language.  On 2nd April 1958, in a Pocketful of Notes, he reported on a party hosted by 50 “Beatniks” which spread to “over 250 bearded cats and kits”.  This is the first known use of the word.  And during the Summer of Love in 1967 he contributed more than anybody to popularising the term “hippie”.

In 1996 he was the recipient of a special award from the Pulitzer Prize Board which acclaimed his “extraordinary and continuing contribution as a voice and conscience of the city”.  On 14th June of the same year 75,000 people, including Walter Cronkite, Robin Williams, Willie Mays, Don  Johnson and Mayor Willie Brown who presided over the event, celebrated Herb Caen Day.

He espoused many liberal causes over his career, including a life long opposition to the death penalty.  He was also one of the first mainstream newspaper men to question the Vietnam War.  But it is to his beloved San Francisco that we return for one of his most passionate campaigns, namely to have the hideous and excessively busy Embarcadero Freeway, or “Dambarcadero” as he called it, demolished.  Success came, but from an unexpected source.  The Loma Prieta earthquake in 1989 damaged it so severely that the decision was taken to pull it all down.  A three mile sweep  of the Embarcadero is now named “Herb Caen Way” in his honour.  The wide promenade is the most eastern street in San Francisco, curving round its northeast corner, proceeding along the waterfront, and ending near AT & T Park, home of the San Francisco Giants, the team Caen adored.

Despite a terminal lung-cancer diagnosis, Caen continued to write almost until his death on 1st February 1997, though his output understandably shrunk over time. His funeral six days later was held in the Grace Cathedral on Nob Hill, attended by 250 people with hundreds more outside listening to the hymns and eulogies over loudspeaker.

Caen had willed to the city a fireworks display which was given in Aquatic Park in front of Ghiradelli Square, concluding with a pyrotechnic image of a typewriter on the bay.  This tribute was attended by many of his friends and fans, who gathered on Herb Caen Way… on the Embarcadero, lit candles protected from the wind by dixie cups, and walked north along the waterfront to Aquatic Park.

And all this for a local hack!

John Steinbeck wrote that he “made a many-faceted character of the city of San Francisco….It is very probable that Herb’s city will be the one that is remembered”.

But the last fitting words should be left to Caen himself:

“One day if I go to heaven…I’ll look around and say ‘It ain’t bad, but it ain’t San Francisco'”.

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