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A biting breeze and thin drizzle denote December’s inevitable but uninvited return. Twilight descends on the ancient churchyard.

Never has the phrase “quiet as the grave” seemed more apt. 

As I pause to tie my bootlaces by the Town Cross, venue for the making of mayors for many centuries, my body shudders as a young woman brushes past me, the hem of her blue dress grazing the grass border, and her white headpiece fluttering in the wind. She carries provisions – bread, leeks and a small flagon of beer – for the poor in a round wicker basket, forswearing another potentially lucrative tryst with a Northumbrian nobleman, orchestrated by her frustrated father.

Her head bowed, she whispers “Good evening, sir, God be with you”. Before I can frame an intelligible response, she disappears behind the west window.  

Composing myself as best I can in the circumstances, I shamble on past the crumbling tombs, narrowly avoiding a collision with a rat, scurrying across my path to the sanctuary of the lopsided lychgate leading into Church Street. The Pullman pub is empty, save for a few flickering candles and a lone member of bar staff deep in conversation with his mobile phone. 

The lanterns of Rendezvous Street are unusually dim, and the restaurants are sparsely populated. 

The stillness is unnerving, but strangely thrilling.

I turn into the narrow, twisting, rain drenched street that slides down towards the harbour.

Many months have elapsed since chaotic, cacophonous Charivari had snaked up that old thoroughfare, all drums and whistles and cymbals, and other less conventional instruments. More recently, the ground had groaned beneath the burden of polished, red-laced “Doc” Martens, worn by follicly challenged pilgrims lumbering towards Gillespie’s and The Ship for an afternoon of Special Brew, and worship at the altars of Prince Buster and The Specials.

I am alone.

But am I?

The fog in my brain mirrors the slowly enveloping mist approaching from the bottom of the hill. Images of times past in this salty, saintly town start to consume my thoughts. 

Nothing is quite what it seems.

My longing for one last lingering look at the dazzling, daily alchemy conjured up in the rock shop near the top of the street Dickens christened a “crippled ladder” is soon answered. The heady, fashionable aromas of craft beer and Nicaraguan coffee cannot compete with the memory of the sickly sweet perfume radiating from that beloved spot, where, nose squashed against the glass, a small boy gasped in awe at the thick, long sticks of heaven being rolled.

“Let me in at the front, Michael, you’ve been stood there for ages”, pleads his tearful younger sister, Anna, her view obscured by the taller girl stood in front of her.

“Have they started giving out the bags of broken bits yet?”, another boy bellows from further back in the crowd.

A sudden, excited scrum confirms his suspicion as I catch an intoxicating whiff of granulated sugar.

It was often claimed that if Rowlands were to shut its doors for good, Folkestone would die; a prediction, thankfully, since proven dramatically wrong, 

I stumble into Steep Street Coffee House for cake and cappuccino, a combination that never fails to comfort. I am their last customer of the day and the staff, without being obtrusive, are cleaning up around me. The self-styled Folkestone Poet has vacated his customary sales pitch across the cobbles at Big Boys Burger, his heavy overcoat and leather balaclava no longer a match for the diminishing temperatures. 

I pass by Marley’s – or what I thought was Marley’s. From a dark upstairs room, redolent of patchouli and cigarette smoke, a loud, piercing jukebox exhorts me to “go to San Francisco” a seductive reminder of the original Summer of Love on such a bleak winter’s evening.

Two young men in afghan coats, and a messy profusion of facial hair, are huddled at the foot of the crippling, crumbling Bayle Steps. 

“Hey man, how’s it going?”

“Far out, whatcha doing’ tonight?”

“Going’ to Archies. The Lonely Ones are playing”.

Nice. I hear there’s some hot Swedish chicks in town too”.

“That’s settled then, Archie’s it is”. 

“Yeah, and I could kill for one of his salami rolls right now”.

I start to follow them through the door, only to find that the closer I get, the scene dissolves in the moist air, and I am left once more outside Marley’s rather than the Acropolis

The piercing cold slices through my flimsy denim jacket and hastens my progress to the bottom of the street. Everything is still again as I try to rationalise the scenes I have encountered in the past half an hour. 

I cross a deserted Tram Road car park and pass under the arch by Ovenden’s old forge into the empty fish market, tiptoeing around the grimy puddles that tend to settle there, whether it has rained or not. 

A solitary gull plods apologetically past, pining for Spring and the reopening of Chummy’s and Bob’s seafood stalls, when it will again be afforded means, motive and opportunity to ambush tourists for their fish and chips and tubs of whelks.

Pausing outside The Shell Shop, I appear to have stepped into an earlier time again. Men in cloth caps and heavy, seaweed encrusted boots trudge up the slipway opposite, lobster pots and herring nets half empty after an exhausting and disheartening shift. They slap their meagre catch on the floor of Fish Shed One, light cigarettes and congregate in whispered conversation.

‘Darkie” Fagg, “Cottage” Featherbe and “Lobby” Spearpoint are leaning on the railing and reminiscing about better days, while Old Ned Saunders, retired these ten years, is mending the sprat nets for a “free” pint or two in The Oddfellows Arms later this evening. 

On The Stade, wives and daughters juggle the demanding tasks of cleaning fish and supervising the smaller, and not so clean, children. 

Observing this picture, it is difficult to gauge which gender had the tougher life.

Meanwhile, grubby, barefoot young boys, oblivious to the dedication and drudgery of their elders all around them, chalk stumps on the wall of Clouts Alley.

“I’ll be Jack “Obbs, you can be Clarrie Grimmett. I’ll ‘it you into the “arbour, every time, just you see” brags nine year old Harry Sharp.

But with his first delivery, Clarrie, better known about these parts as Edmund, and, later years, “La La”, Taylor, traps Jack in front of his wicket and appeals for leg before.

“Owzat! Got you with me flipper, pom”.

A heated dispute follows, culminating in the great English batsman hurling his bat against the wall and storming off in the direction of Redman’s boat builders.

His mother, ankle deep in half gutted dogfish and three scruffy toddlers, calls: 

“Harry, your tea is ready. And find your brother before you come in”.

“Five more minutes, mum. I’ve got to bowl Don Bradman out first. it won’t take long”.

“Five more minutes, my arse – you’ve got thirty seconds. This tea won’t wait. If you don’t get to the table soon, the other kids will have your share”

A case of bad mum stopped play.

As this scene of family harmony evaporates, I hear, from across the harbour, a sergeant major’s earsplitting admonition to “Step Short”  to a long procession of uniformed men stomping down the slope from the Leas above.

The rhythmic sound of boots on concrete is accompanied by raucous renditions of Pack up Your Troubles in Your Old Kit Bag and It’s a Long Way to Tipperary, as the soldiers march to the waiting ships that will take them to the Western Front.

But there is one last treat before their sombre adventure begins.

Inside the harbour station waiting room, two formidable middle aged women adjust their pinafores and rearrange any curls that have slipped beneath their flower bestrewn boaters. They inspect the massive urns containing the last hot, strong tea most of these men will ever drink.

“Come on boys, form a straight line, you don’t have long, you know”, Flora Jeffrey cries out with a tinge of regret in her voice, while her sister Margaret cuts thin slices of trench cake and bread pudding to complete what, for many of these condemned men, will be their last meal.  

“And don’t forget to sign the visitors’ book before you do”.

“All right, all right, you sound like me muvver – nag, nag, nag”, one private who claims to be twenty one but looks barely sixteen, retorts, as he lurches towards Margaret and slurs:

“Give us a kiss”.

But before he can perfect this unwise manouevre, a grizzled veteran of Mafeking and Ladysmith yanks him back by his collar and barks:

“Show the ladies some respect, young ’un’. You ain’t in the playground now, y’know”.

“Sorry, old timer, I didn’t mean nuffin’ by it, it was just a bit of fun”.

Flora chuckles: “You got off lightly there, my boy, that’s nothing to what Margaret would have done to you if you’d got any nearer!”.

An outpouring of communal hilarity is unleashed, and the embarrassed teenager slinks back into the anonymity of the crowd.

I separate from the excited, but fearful, throng with the final strains of Keep the Home Fires Burning ringing in my ears, and join the boardwalk that connects the station with the base of the thirty year old water lift along the beach to the west. 

But I have hardly stepped foot on the old railway sleepers before finding myself in the midst of a large conglomeration of buildings, including a swimming pool, boating lake and fairground rides.

As I try to take all this in, a crew cut kid in knitted cardigan and khaki shorts can be seen rushing into a huge, dimpled dome that is destined to be his whole world for the next two weeks. He will never tire of rolling a penny for plastic motor cars or shooting a steel ball into a hole for packets of mints.

His father and mother, the latter clutching a wad of what appear to be tickets, frown as they dismount from the blue plastic seats they have occupied for the past two hours, where they had been subjected to an increasingly annoying loop of “legs eleven”, “two little ducks, twenty two” and “two fat ladies’ eighty eight”. 

The boy drags himself from the penny pusher slot machine and scampers towards them in a frenzy of excitement.

“How many wins did you get, mum?”.

“Eight”.

His heart sinks. “Oh no, that big cuddly monkey on the bottom shelf is nine wins. Can you play some more games and win it for me?”.

“We don’t have time, darling; besides dad and I want that nice set of tea trays that are eight wins. They will be just perfect for our TV dinners when we get home”.

“Boring”. 

Feeling betrayed and despondent, the boy skulks off in the direction of the Runaway Coaster.

But he is soon appeased by a promise to go to his favourite fish and chip restaurant in Tontine Street for tea.

Intermittent drizzle and mist has given way to steady rain and a thickening gloom. Hungry and shivering, I resolve to return home. 

Christmas lights bestride the street across the ragged rooftops, and retailers and restaurateurs contend for the accolade of best dressed window, though tonight there is nobody about to judge them. 

Apart from the echo of my boots upon the sodden cobbles, silence is restored.

Until I reach Archie’s.

From that same gloomy upstairs window from whence the Flowerpot Men had serenaded me two hours – and a hundred and fifty years – earlier, the Small Faces remind me that:

“It’s all too beautiful”. 

After the battering my senses have taken this evening, I remain to be convinced of the veracity of this hypothesis.

So I try, for the second time, to gain access to the old haunt of hippies and radicals.

As I take my first hesitant steps in its direction, fully expecting to find myself in Marley’s again, the doors open of their own accord and I am permitted to enter.

And there, waiting to greet me, is the original owner, Mickey Argegrou, who is anxious to introduce me to his special guests for the night. 

To my astonishment, St Eanswythe is here. The modest blue and white garments she had been wearing during our perfunctory encounter in the churchyard earlier have been replaced by brightly coloured, patterned flower dress and matching peaked hat. She is sampling her first ever cup of coffee and, judging by the uncharacteristic grimace that quickly follows, she is unlikely to order a second. Water from her own spring and the occasional small goblet of mead will remain her preferred tipples. 

With the final troop ship of the day, Engadine, set sail for Boulogne, and the Mole Cafe consequently closed, the indomitable Jeffrey sisters have swapped their pinafores for elegant three quarter length dresses. They appear to be conducting a taste test of Mickey’s famed rum babas, comparing them in the process with their revered fruit cake.   

John Brickell, still in his overalls and safety cap, is here too. He has disappointed his vast army of young fans by holding back the remnants of today’s rock rolling, handing the broken bits around to the grateful regulars, who find them a perfect accompaniment to their cocktails. 

And Harry Sharp, grown in the past hour into a handsome young man, but still smarting from his first ball duck at the Clouts Alley Oval, is feeding the jukebox, while Old Ned Saunders, released from his net repairing duties, though not separated from his favourite fisherman’s jumper, for the evening, is leading a communal sing along to the latest tune selected by Harry:

“Those were the days, my friend”.

After the scenes I have witnessed this evening, I am inclined to agree. 

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My upcoming poetry book, “Dust in my Cappuccino” is a collection of thirty two poems inspired by the coastal town of Folkestone in the south east corner of England. In order to provide some context to the poems for those readers unfamiliar with the town, I have written a short history of the town. This will feature as the introduction to the collection when it is published next month.

Located on the south east coast of England, a handful of miles from the famed White Cliffs, and only twenty two miles from continental Europe, Folkestone has had a long, varied history, boasting both Bronze and Iron Age settlements and a prominent Roman Villa, sadly now perilously close to the cliff erosion that has always afflicted this coastline.

Descended from the the Anglo-Saxon Kings of Kent, Eanswythe, a devout young princess, founded a nunnery in the town in the seventh century AD, and was subsequently made a saint. Her bones, discovered in the parish church by workmen in 1885, were radiocarbon tested and confirmed in 2020, and the church is now becoming a growing site of pilgrimage.

For a thousand years, Folkestone was a modest fishing village and, for most of that time, as a limb of the Cinque Port of Dover, also a busy trading port. Smuggling was a not insignificant business from the eighteenth century too. But it was the coming of the railway and associated cross-channel ferry industry from 1843, and the construction in later decades of grand hotels and white stuccoed family homes, notably in the West End, that contributed to its rise as a fashionable resort that attracted royalty, artists and writers in addition to the Victorian and Edwardian middle class. Much of this development was conceived, funded and overseen by the Earl of Radnor, who still owns land in the town and surrounding area.

The “golden age” that began around 1880 arguably came to a sudden halt with the outbreak of the Great War, which had a profound effect on Folkestone. It became a major port of embarkation for the Western Front, and the final sight of England for millions of troops, many of whom will have marched from the neighbouring Shorncliffe army camp. The bombing of Tontine Street in 1917 brought about the highest number of British civilian dead as a result of an air raid during the war up until that point.

The inter war years saw a revival, with Folkestone exploiting its natural beauty – the Channel views, rolling hills, delightful parks and gardens – by marketing itself as “Fashionable” and “Spacious and Gracious”. Moreover, its popularity as a resort was enhanced by the Earl of Radnor’s “foreshore development” that included the building of the Rotunda, the largest unsupported concrete dome in Europe, swimming pool and boating lake, supplementing the existing Victoria Pier, switchback railway and the 1885 Leas water lift.

The town suffered heavy bombardment during the Second World War, destroying much of the harbour, but recovered as a seaside destination during the fifties and early sixties, which is when my Folkestone story began. The Rotunda, quaint, steep Old High Street with the revered Rock and Joke shops and the popular ferry route to Boulogne-sur-mer, kept the visitors coming and the locals entertained.

But, like so many other UK coastal resorts, it suffered a deep decline as the advent of cheap air fares, duty free and longer annual leave allowance, led to an escape to resorts where the sun was twenty degrees warmer and the beer ten degrees colder. Many of the much loved attractions and hotels closed, were demolished and converted into flats, and trade in the town slumped. Although the cross-channel ferry industry stopped at the turn of the century, Folkestone has retained its role as a point of departure to the continent with the opening of the Channel Tunnel in 1994.

The new Millennium brought a revival, aided by the philanthropy of former Saga owner, Sir Roger De Haan, who renovated and refurbished many of the buildings in the old town, offering the properties to creatives, provided education and sporting facilities (the latest of which the world’s first multi-storey skatepark), and restored and remodelled the derelict harbour area. The construction of up to a thousand apartments along the shoreline between the Leas Lift (currently closed) and the Harbour Arm is also now underway.

Since 2008, the Folkestone Triennial has showcased new works from established British and International artists, around half of each remain in the town once the exhibition is over. There are now around ninety such pieces placed outdoors around town.  

De Haan’s influence and the arrival of the high speed rail link (only fifty four minutes from London) in 2007, has proved a happy marriage in rendering Folkestone more accessible. Comparatively cheap (but rising) house prices, the advantages of living by the sea, a vibrant dining scene and improving facilities, not least for children, have all led to a growing relocation of people, many of them young families, predominantly from London.

My love affair with Folkestone began at the age of ten when I was brought by my parents from my hometown of Rochester, forty-five miles away on the North Kent coast, on the first of a succession of summer holidays to the town. It was my mother’s admitted but modest pretensions to social mobility which led to the choice of Folkestone rather than the traditional “bucket and spade” resorts such as Herne Bay, Margate or Broadstairs.

Once I left home and moved around the country for study or work, visits became much less frequent, though I always retained my affection for the town. In fact, my parents long harboured the desire of retiring to Folkestone (on their last holiday together they had stayed in the Grand Burstin Hotel at the harbour), but with my mother’s relatively early passing, it never materialised. But their groundwork was not done in vain, as when the opportunity arose in 2016, my wife and I had no hesitation in moving here.

I have gathered together thirty two of my poems inspired by Folkestone, in which many of the themes and events I have outlined above are referenced and explored. One particular challenge has been whether to present them in a systematic way, for example, chronology, geography or subject matter, but ultimately, they are laid before you in an essentially random form, at least superficially.

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I first met Martin at the T20 Quarter-Final between Leicestershire and Kent at Grace Road in 2011. This was to be the venue for the inaugural meeting of the Kent Reform Group whose stated aims were to bring greater transparency and accountability to the county club than was felt to be evident at the time.

I arrived first and parked myself at an empty table in the corner of the bar. I was shortly followed by Graham Holland, senior civil servant, former Mayor and prospective Kent County Cricket Club committee member. Graham and I exchanged pleasantries over a glass of sauvignon blanc while we awaited the arrival of the other two core members of the group.

After a quarter of an hour, the double doors swung open to reveal a tall, imposing figure dressed in a green and blue striped blazer with matching tie on a salmon coloured shirt, red slacks, scrubbed brown brogues and a boater sporting the black and Kentish grey colours of the Band of Brothers Cricket Club. He carried over his shoulder a faded brown leather satchel that looked at any moment about to spill its hefty contents. A crumpled packet of cigarettes protruded from the top pocket of the blazer. The only thing that would have completed this curiously Western scene (the meagre population of the bar to a man and woman had turned in his direction), would have been for the stranger to brandish a brace of six shooters from his hip.

Martin Moseling was in the building!

Graham introduced us and we got down to business, though not before Martin had dropped the satchel to the floor and sent the first of what seemed dozens of text messages to the fourth member of the group who had decided at the last minute to remain in Kent.

Throughout that ultimately depressing afternoon, in which Kent contrived to throw away a winning position in intermittent drizzle, he paced up and down replaying every boundary and dismissal by text with the absent colleague watching the game on TV back in his Wealden retreat.

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We met occasionally at cricket over the next twelve months, standing and chatting aimlessly on the Old Dover Road banking or in the Chiesman pavilion for hours on end, only partly conscious of the performance of the “flannelled fools” out in the middle. With that heavy, faded satchel still hanging from one shoulder, Martin would hold court, offering a wealth of historical and technical insights on the game while a growing audience of his peers nodded sagely in response.

It became clear that, despite our political and social differences – he revered Margaret Thatcher and was at home at hunt balls, whereas my political hero was Dennis Skinner and I was more comfortable in tie-dye at a Grateful Dead concert – we still had a lot in common, notably a mutual affection for Kent cricketing history and the “Golden Age” immediately before the Great War in particular. But there was something else we shared, an ambition that had been unfulfilled for more than half a century – that of writing at least one book and getting it published.

But the 2012 season ended and we went our separate ways.

Until, on one dank, dismal December morning, he rang me to ask whether I was interested in writing a book with him on Kent’s 1913 County Championship winning side to commemorate the upcoming centenary. My response – something along the lines of “yeah, why not” – was hardly enthusiastic, but enough for us to spend the next hour scoping out structure, style and themes. We were off and running before my customary eleven o’clock coffee break.

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What had we let ourselves in for? It is difficult enough to write a book on one’s own, but to do it with someone else whom they still barely knew and who lived a hundred and twenty miles away, and had, as we soon discovered, a different writing style, would surely be impossible. But, having agreed a workable division of labour at the outset, we spent the next six months working separately on different chapters and sending drafts to each other before picking up the telephone and painstakingly working through every letter and punctuation mark. We didn’t always see eye to eye, of course – he was over fond of words like “rather” and “somewhat” and I drove him to distraction with my obsession with punctuation – but the system worked.

We spoke many times a day. Martin invariably initiated the discussions, telephoning to urge me to peruse a new draft chapter or an alteration in the design that he had been working on during the night while I was asleep! In fact, he often rang at the most inconvenient times, either just before I was leaving the house or about to cook my wife’s dinner. It became a standing joke between us, rather like the one my wife and I shared when we listened to our daily answerphone messages and heard the immortal phrase “hello Tony, it’s Martin, give me a call”.

We met only three times over that period, twice when I travelled down to the Cotswolds for a couple of days each time and when we made a joint visit to the MCC library at Lord’s from which we witnessed a spectacular snow blizzard envelopping the hallowed ground. I also visited the principal libraries around the county to research the newspapers of the day. This provided us with a great deal of reportage to supplement the official scorecards for each game that were available on the Cricinfo website. But the feature of the published book that received the most plaudits were the contemporary photographs, many of which had not seen the light of day since that fateful final full season before the Great War, that he had sourced from both his own impressive collection and other publications. His contacts in the game, not least in his adopted county of Gloucestershire, provided many priceless images too.  

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Had he not been so persistent, we may never have finished the book. I am eternally grateful to him for not only coming up with the idea but motivating me along the way when my natural indolence took hold (and I like to think I did the same for him).

With the demise of the Kent Reform Group in early 2012, it was clear that the county club was not going to trust offers of assistance or criticism from individuals or members’ groups for the foreseeable future. However, by quiet diplomacy and patient relationship building, Martin was able to extract a number of concessions over the next three years, for example in overturning a ban on fans bringing even a modest amount of alcohol into the grounds for forty over games.

His legacy, however, will be the pivotal role he played in the establishment of the Kent Cricket Heritage Trust. Firstly, virtually single-handedly, he persuaded the Club of the value of creating a trust to protect and promote its proud heritage, and then drove through the implementation. His stunning timeline of the Great War which was displayed in the Chiesman Pavilion during the 2014 Canterbury Week, and the photographic montages of two historic run chases against Gloucestershire and Lancashire, were praised widely. Both were produced at his own expense. He also gave of his own time in keeping a watching eye on cricket auctions around the country, identifying items that the Club might be interested in purchasing.

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The fact that the Kent Cricket Heritage Trust is now established, and there are visible signs around the ground of its work, notably the new display cases in the Chiesman Pavilion, is largely attributable to Martin.

Any doubts that the Club might not have fully appreciated his contribution were quickly dispelled when they flew the official flag (white horse on red background) at half mast at the St Lawrence Ground on the day following his death. I cannot recall this being done for someone who neither played in the first XI (and oh how he wished he could have), nor served on the committee before. Martin would have been humbled and hugely proud of such a gesture.

As testimonials since his untimely passing have illustrated, he was admired and respected for his detailed knowledge of cricketing history, especially during the era covered by A-Half Forgotten Triumph. 

He had a patrician but nonetheless kindly demeanour which gave his utterances on the game an almost Swanton-like character, an impression reinforced by a build that resembled in later years that of the former journalist and president of the county club.

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As “Kentish Exile” he was prolific and authoritative. It was his opinion that many of his fellow posters looked for first on all cricketing issues for a combination of insider understanding and common sense. His style was measured, urbane and often sprayed with references and quotes from history, literature and music. It was this that led one wag from Chatham on the Old Dover Road seating at Canterbury one afternoon to declaim:

That Kentish Exile, ‘e’s a bit upmarket ‘e is.

Martin’s reaction to this statement when I relayed it to him that evening was a customary chuckle. I think he was rather flattered.

Despite his achievements – he was a fine horseman, golfer and guitar player, amongst other talents I may not have discovered in the short time I knew him, in addition to being a good enough cricketer to play not only for the MCC for many years, but also the Band of Brothers, Cross Arrows and a variety of teams in Gloucestershire – he was essentially a modest man. Few of his cricketing acquaintances will be aware that he maintained a blog – entitled A Cricket Sort of Chap: A sideways look at all kinds of cricket but especially the cricket of Kent – in which he brought his wit, wisdom and experience to bear on cricketing issues as diverse as being taken to the Bat and Ball Ground in Gravesend as a small boy by his father, the history of round arm bowling and a series of articles on Kevin Pieterson. I urged him constantly to notify his fellow Kent followers when he had published a new piece, but he preferred to manage it for his own amusement.

I’m afraid I’ve now let the cat out of the bag, but I’m sure he would forgive me as the articles are as good examples of cricket writing as you would find anywhere today,  and cry out to be be read by a wider audience.

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We had spoken of collaborating again in the future and mulled over the worth of writing reappraisals of the life and career of three of the most influential figures of Kent cricket – Frank Woolley, Les Ames and Lord Harris. But I wanted to take a break from cricket writing, not sharing his all-consuming passion for the sport. Before his illness cruelly began to affect his capacity to concentrate, he was working on a book about James Seymour, one of the powerful top order in Kent’s first period of glory. During the writing of our book he had met with the Seymour family who had kindly made a voluminous scrapbook of cuttings, photographs and scorecards available to him. He spoke enthusiastically too of writing a book about the seasons in which Kent finished second in the County Championship (of which there are too many).

On the all too rare days that we watched Kent play together (Martin tended, understandably, to visit the Midlands away grounds more than Kent), he was invariably accompanied by his beloved flat coated retriever, Bear, who he had had for nearly nine years (“the best friend I could ever want”). Bear sadly died in February of last year when Martin wrote “I do not know what I will do without him”. Shortly after, however, he acquired Bear’s nephew, Alfie, and was still in the process of breaking him in and preparing to introduce him to the world of cricket in the near future.

He was immensely proud of his son and daughter, and the successful careers they had carved out for each other, and despite the rapid deterioration in his health, it must have been a joyous occasion to have Emma and Mark and his grandchildren all together at his home.

It is difficult to know how to finish this piece other than to say that I accounted him a friend, not only for his rich well of cricketing anecdotes and knowledge, but also for his wise counsel (something others commented upon in the days following his death). He was not just “a cricket sort of chap”, but someone whose intelligence, humour and understanding ranged across every imaginable subject. He even helped me to make (some) sense of the San Francisco rental market!

But I’ll leave the final words to the man himself:

I have become resigned to the fact that Kent cricket was always in my blood. Although the past few years have been endlessly frustrating, they have also been rewarding. Friendships made within cricket are necessarily transitory but they are enduring. I have re-established contact with people I played with and against 30/40 years ago and I have made new friends. The really great thing about it is that those friends share my love of the greatest game of all – cricket and, in particular, the love of the cricket of the county of Kent.

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