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Posts Tagged ‘Tony Quarrington’


The idea for this trip came thirteen years ago when I bought the book entitled The Blues Highway: A Travel and Music Book by Richard Knight.

But then, as we were on the point of booking the trip, Hurricane Katrina battered New Orleans, the planned starting point for the trip. We resolved then that we would wait to do it when life in the city had returned to some semblance of normality.

In 2012, we did finally embark on a road trip, but in a very different part of the country – the National Parks of the South West, covering the states of Utah, Colorado, Arizona and New Mexico.

Setting off from Las Vegas, our expedition took in Zion National Park, Bryce Canyon, Lake Powell, Monument Valley, Arches National Park and the Grand Canyon, followed by a sizeable detour through New Mexico, visiting Santa Fe, Albuquerque and iconic locations on Route 66 such as Winslow, Arizona (“Standin’ on a Corner”) and Gallup, New Mexico before returning to Vegas.

Numerous trips to San Francisco, Tahoe, Vegas as well as the North East (of the U.S, not England!) followed, as the Southern states, other than Florida, failed to seduce us sufficiently into venturing in their direction. Maybe their racist past (and present), Christian fundamentalism and gun culture all have had something to do with it. Moreover, the scene from Easy Rider where the main protagonists get short shrift in a southern diner still haunts me, and the song by Folkestone band, the Transients, entitled They Don’t Like Hippies in Baton Rouge, only serves to exacerbate the anxiety.

But now, with mid-term elections looming and the divisions in America widening, we have chosen this moment to plunge ourselves into the belly of Trumpsylvania, though a Californian friend’s recent assertion that we were essentially visiting “blue cities in red states” is a comforting and far from innacurate one.

So what is the attraction of this particular itinerary that has stubbornly refused to disappear from our vacation radar?

The Blues Highway, essentially Highway 61, runs, for the most part alongside the mighty Mississippi, from New Orleans  to Chicago and traces the migration of many African Americans from the Deep South to the Northern cities following the Civil War and Reconstruction.

Equally, it charts (sic) the development of the major music genres for which we are so much indebted to the United States for, principally the blues and gospel (Mississippi delta, Memphis, St Louis and Chicago), but also jazz (New Orleans), cajun and zydeco (Lafayette), country (Nashville) and soul (Memphis again, and not forgetting Elvis!).

After an initial overnight stay in Newark, New Jersey (flights from the UK being so much cheaper), we fly to the “Big Easy” for four nights before hitting the road with single overnight stays in Lafayette, Vicksburg and Clarksdale. A three night residence in Memphis follows before we head east to Nashville for four nights, arriving on the eve of my birthday.

From “Music City” we cross country back to the main road for three nights in St Louis, followed by a night in Peoria before arriving in the “Windy City” for another four nights, when we are hoping to be joined for a couple of nights by friends from San Francisco. Two nights in New York City conclude the trip before we catch our return flight from Newark.

The trip has the added bonus of introducing us to seven new states – Louisiana, Mississippi, Tennessee, Missouri and Illinois with brief detours through Kentucky and Arkansas. The prospect of experiencing new cultures, historic tours and spectacular scenery is, of course, exciting, but it is the music that is the driving force of the trip. Clubs, bars, museums and street musicians will, therefore, be the major focus of the next three weeks.

And we must not forget the other star of the show – the road itself.

Little thrills the blood more than the thought of exploring this amazing country by car with the radio blaring out the music style that reflects the landscape you are travelling through at the time. I am sure it will reveal some entertaining adventures as this blog grows over the coming weeks.

So let’s get on with the show!

See y’all later!

 

 

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This is where east meets west,
Dover Road and Augusta Gardens;
Where DFLs mix with Folky born and breds,
Cold war adjourned for one warm afternoon.

Tram Road traffic crawls and curls
Around a heaving Harbour Street,
Affording passengers an extended view
Of much loved, yet loathed, Grand Burstin.

A brisk breeze, cooling the searing sun,
Sweeps champagne flutes to a watery end
In the chastening Channel spray
That laps the lighthouse;
Proof that, sometimes, weather
Can be a first to place and time.

Sinatra’s call to Come Fly with Me
Gives way to the eclectic sounds
That entertain the growing queues
For Sole Kitchen and Hog and Hop.
While the Native Oyster Band
Has the crowds singing and swaying,
Kadialy Kouyate’s kora mesmerises,
Bringing the authentic sounds of
New Orleans and Senegal to
This English coastal paradise.

Children build bricks to knock them down,
Dash between Baba Ji and Pick Up Pintxos
Or search for the iron man in the water,
(Don’t worry, kids, he will be back!).


But if the heat and tumult are too much
And it is peace you pine for,
Retire inside to the Mole Cafe
For a mug of strong, hot tea
And a chocolate swiss roll,
Reminders of a quieter,
Yet more violent, time.

Tomorrow, normal service will be resumed;
DFLs will become RTLs
(Work it out!);
The Arm will be handed back
To anglers, cormorants and
A few unsuspecting souls,
Drenched by crashing waves
Cascading over the Folkestone sign.

But is this the lull before the storm?
Eden before the Fall?
Will those blissful views across
To ancient East Cliff and to Sunny Sands
Be there to inspire us still
In three, or five, or ten, years?

Or will the thunder of pick and drill
Drown out those of bass and drum?

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That staple of coastal living,
The pre-dawn chorus
Of ducks and gulls,
Of pigeons and crows,
And a single menacing magpie,
Echoes across a misty Radnor Park.

Untimely ripped from a fractured slumber,
I prepare for my morning ritual
Of checking if the sea is still there
And that this is not all a dream.

Caught in a leaf storm along Castle Hill Avenue
Joni in my ears telling me
She doesn’t know where she stands,
And there it is, that ever, never changing view!
Dunkirk and Dungeness
Wink from across the water.

The Leas is rife with life this morning
Walkers, joggers, mobility scooters,
Teenagers with learning difficulties
On escorted pilgrimages around town,
From each and every one
A “good morning” or “isn’t it beautiful?”.

This is such a friendly town.

Vacant, whispering benches
Call out across the century,
Remembrance of courage and sacrifice
That allow me to wallow
In this stunning spectacle today.

As the sun begins to burn,
Parched dogs yank at leads
And stop to lap at the cool water
Filling the empty margarine boxes
Left outside the Leas Cliff Hall.

Below, on windswept Mermaid Beach,
Young children sprint into the sea,
Mindless of the pebble and shingle
That scrape and bruise their fragile feet;
But soon they head for the refuge of towels,
New victims of the unforgiving Channel chill.

Across town, on the old, cobbled street,
Where art and cake have usurped rock,
A triumvirate of weary sprucers,
Unheralded heroes of this dirty old town,
Trudge past the The Quarter Masters store
Trailing bags of indeterminate bulk.

Young men, slaves to their primal needs,
Cajole reluctant wives and girlfriends
Into lunch at Big Boys Burger;
Buggies resignedly hauled over the threshhold
Wake the sleeping child within,
Soon to shatter the peace of other diners

At the foot of the winding hill,
Gleeful children squeal with ecstasy
As the newly repaired fountains,
Wedged between pub and seafood stall,
Erupt in thrilling power shower.

Gulls squawk and squabble
Over the crab and seafood remnants
Lobbed periodically from Chummy’s staff,
Before resuming their ablutions
In inner harbour pools
Left by the receding tide.

A single gull plants itself on a table behind Bob’s
And pleads silently for a bite of my crab sandwich,
Or the family’s chips on the next bench;
A staring contest ensues as I begin to eat,
Not daring to avert my eyes for one second.

I try to rationalise with my insistent guest,
Explaining that feeding it would be cruel
But it seems unconvinced
And resumes its glare.

As I finish the last mouthful and fold the wrapping
It flaps its wings and screeches its disappointment,
Before scooting perilously past my left ear
In pursuit of more sympathetic diners.

On Sunny Sands, oblivious of mermaid stare
Dogs scamper breathlessly after balls
Hurled by owners, equally relieved
At their release from summer banishment.

I head for Steep Street,
Swiftly become my second home,
To capture this all in print;
Renewed self-confidence, even nerve
To write this down and share with you,
Another thing to thank Folkestone for,
Or is that blame?

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The pace and commotion of modern life renders it all the more crucial that we grasp those increasingly infrequent opportunities to draw breath and rest awhile.

Where I would take issue with the Welsh poet, W.H. Davies, who asked what is this life if full of care / we have no time to stand and stare is that sitting works just as well.

And where better to do it than on a bench in the fresh air?

We are so accustomed to lounging on a sofa, whether it be at home, watching mindless television, or in a coffee shop, spending money we haven’t got and aggravating our caffeine levels. Why not do the same in the great outdoors?

One answer might be that the provision of facilities to do that is not always plentiful.

But we cannot claim that excuse in Folkestone.

The town is blessed with more than its fair share, especially on the lovely Leas, once dubbed indisputably the finest marine promenade in the world,  where there are exactly one hundred wooden benches between the Step Short Arch and the Metropole Steps (seventy three alone between the Bandstand and the further of the large hotels (now apartments)). I would be surprised to learn if any other coastal resort had as many.

So, what has sitting on a bench ever done for us?

Let me count the ways.

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To “rest our legs”.

To pause and just breathe.

To think or meditate.

To be quiet and let time pass.

To eat lunch.

To read a book or newspaper (ok, or a tablet/phone).

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To admire the view (and what a view!).

To watch the world go by.

To “people watch”.

To “sun bathe”.

To escape from conflict (at work or at home).

To grieve over disappointment or heartache.

To explore first love (within “reason” of course!).

Or a combination of any of the above.

And then there are less conventional reasons:

To drink or take drugs.

To “hide” with a lover.

To beg from passers by.

I am sure you can think of others (conventional or otherwise).

The value placed on the view afforded by benches is no better illustrated than on the plaques that grieving families have had affixed to commemorate the lives of loved ones who have passed away.

Arguably, these benches are a more life-affirming tribute than a concrete slab in a crematorium, though they have their place too, of course.

Benches are a visible and practical demonstration of a bygone age in a hectic world. Celebratory and consolatory in equal measure.

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And, as we have seen above, they can serve so many purposes that nothing else can quite deliver.

Whilst this post has focused on the wooden benches that festoon the Leas, especially at the West End, there are others at the eastern end that sit beneath the Step Short Arch and speak movingly of Folkestone’s critical role in war.

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I may not have picked the best weather (at least in Folkestone) in which to urge readers who live within reasonable travelling distance of The Leas to rush outside and “take a pew” in the outdoors.

But wherever you may be, try to take whatever opportunity you can to “sit and stare”. Aside from improving your mental wellbeing, you might just finish that book.

Or at least your lunch.

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I am proposing to run twice, possibly thrice, weekly walking tours of Folkestone next summer (May to September 2017).

There are many practical considerations, including health and safety, marketing and potential licensing, that need to be addressed in the opening weeks of the New Year, but the crucial issue is the integrity of the tour itinerary itself.

Below are my initial thoughts on what route to take, and the issues to highlight at each stop and during the walk itself.

Currently, I envisage the tour lasting no longer than two hours.

These are still early thoughts and are subject to change. Being still a relative newbie, there is a distinct possibility that I may have missed something. This is where long term residents of Folkestone and others who have, like myself, come to love the town, can help me in fine tuning the details. I would be extremely grateful for their input and support.

I intend to finalise this by the end of February, allowing two months to work up the detailed commentary and supporting material.

I am extremely grateful for your assistance in this. Don’t feel you need to be gentle with me!

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Start: By the Earth Peace sign in front of The Grand Hotel on The Leas

Stop 1: The Grand Hotel
a. outline of tour – duration – route – stops – toilets – refreshments – approach to questions
b. history of The Leas and Folkestone as a holiday destination – English & French coast highlights
c. history of The Grand, including rivalry with The Metropole & links to royalty

d. introduction to Folkestone Triennial & Folkestone Artworks, specifically Earth Peace (Yoko Ono)

Walk 1: Along The Leas, passing the View Hotel, Ruth Ewan (clock) and Mark Ballinger’s (Folk Stones) artworks & talking benches

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Stop 2: Leas Cliff Hall 
a. history – construction – programme
b. William Harvey statue

Walk 2: Along The Leas passing the Leas Pavilion Theatre and the Leas Lift

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Stop 3: Step Short Arch
a. Folkestone’s role in war
b. construction
c. War Memorial
d. poppies

Walk 3: Down the Road of Remembrance

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Stop 4: Harbour Station / Harbour Arm entrance
a. role of trains bringing soldiers/holidaymakers
b. history of ferry / hovercraft services
c. Hamish Fulton’s metal sign
d. Grand Burstin Hotel
e. regeneration plans

Walk 4: Along the Harbour Arm, taking in views of the Harbour 

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Stop 5: Lighthouse on Harbour Arm

a. history
b. Weather is a Third to Place and Time artwork
c. Champagne Bar

Walk 5: Back along Harbour Arm and towards Harbour

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Stop 6: Harbour
a. fish market
b. history of fishing c/f activity today
c. seafood stalls
d. Rocksalt

Walk 6: Along The Stade to Sunny Sands

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Stop 7: Sunny Sands
a. beach & Coronation Parade
b. views to France, Harbour Arm, East Cliff, Dover Strait, the Warren & Samphire Hoe
c. Folkestone Mermaid (Cornelia Parker)

Walk 7: Back along The Stade and across to Creative Quarter entrance


Stop 8: The Old High Street
a. history
b. role of Creative Quarter
c. Quarterhouse

Walk 8: Up the Old High Street and onto The Bayle, highlighting galleries, restaurants and coffee shops

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Stop 9: The Bayle
a. history
b. Parade Steps
c. Shangri-La
d. British Lion
e. pond – child’s mitten (Tracey Emin)

Walk 9: Around The Bayle into Church Street

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Stop 10: Church of St Mary and St Eanswythe
a. history of christianity in Folkestone
b. life & sainthood of St Eanswythe

Walk 10: Through churchyard and along The Leas towards the Leas Lift

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Stop 11: Leas Lift
a. history – construction – importance
b. take lift down to Marine Parade

Walk 11: Along Marine Parade to entrance of Lower Leas Coastal Park


Stop 12: Lower Leas Coastal Park
a. background, construction & awards
b. Fun Zone
c. Amphitheatre
d. Adam Chodzko’s Pyramid

Walk 12: Through Lower Leas Coastal Park to beginning of Zigzag Path

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Stop 13: Zigzag Path
a. history

Walk 13: Up the Zigzag Path and along The Leas to The Grand Hotel

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Stop 14: The Grand Hotel
Finish by the Earth Peace sign in front of The Grand Hotel on The Leas

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If ever I need a respite from the hubbub of Folkestone town centre, there is no better area to take cover in than The Bayle. Bordering the Harbour via the Parade Steps, the Creative Quarter by Bayle Street and Sandgate Road at the end of pretty Church Street, it provides a welcome haven of peace and quiet.

Just off the beaten track, it is largely undiscovered by all but locals.

Today, I am accessing it from the recently refurbished Parade Steps that run from Harbour Street, alongside Gillespies bar at the True Briton.

Folkestone has more than its share of crippling paths and stairways, not least the Metropole Steps and Zigzag Path that link the main beach from The Leas, but the hundred or more steps that need to be negotiated here match the most difficult. Their saving grace is that they do afford the intrepid climber fantastic views of the harbour and the Channel beyond when, as is essential, they pause for a breather at each level.

At the top you encounter not only Shangri-La, now discredited as a wartime German spy centre, but also fine multi-occupancy buildings like Blue Diamond House on Bayle Street.

Eschewing the Bail Steps, that lead back down to the Old High Street, I turn left at the friendly Guildhall pub onto The Bayle itself.  Within a hundred yards I come across the Bayle Pond Gardens, lovingly maintained by the residents’ association.

The pond is home to another of the Folkestone Artworks found scattered around the town. One of Tracey Emin’s collection of “baby things”, a bedraggled, brightly coloured mitten, is attached to the railings that encase the pond.

Properties, a mix of attractive brick and weatherboarded cottages and modern apartment blocks, are sought after and, as this recent house hunter can attest, relatively expensive.

Moreover, the significance of this part of town was recognised when number 5 Bayle Street was chosen to launch the fabulous Folkestone Living Advent Calendar programme on 1st December last and, fifteen days later, the Dance Easy / Folkestone Yoga studio at number 19 took its turn in the festivities.

In addition to the already mentioned Guildhall pub, this compact area also boasts Folkestone’s oldest watering hole, the British Lion, reputedly built no later than 1500, and Charles Dickens’s local when he stayed at nearby 3, Albion Villas.

Recovered remains from archaeological digs have revealed that the area was occupied in the late Iron Age and Roman periods, but it was not until the seventh century AD that Folkestone gained its most celebrated citizen.

The daughter of King Eadbald, St. Eanswythe, an intelligent, wilful and devout young woman, rejected numerous Anglo-Saxon suitors and opted for the religious life by establishing a small nunnery and dedicating herself and other women to prayer and service of the poor. On her death in 640, her tomb became the object of prayer and pilgrimage and her relics were sought after and venerated. She was made a saint almost immediately.

Standing between bare winter trees and amidst battered headstones, the current Church of St Mary and St Eanswythe, built upon a twelfth century original, is a lovely, tranquil space.

There are several routes in and out of the churchyard. My personal favourite is to walk through the internal gate, along the path (which starts on Priory Gardens) back to the War Memorial, taking in glorious views of the Channel above the rooftops of Marine Parade.

I’ll leave my favourite rock band (again) to encapsulate how I feel about The Bayle:

Don’t tell me this town ain’t got no heart

You just gotta poke around.

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The Cote d’Opale might as well be a thousand miles away on a night like this.

It is a calm, quiet evening after a dank, dreary December day. The sky and sea present an ashen canvass. It is difficult to tell where one ends and the other starts. Spencer Finch’s The Colour of Water, the artwork that requires people, by looking through a narrow aperture, to match the colour of the sea with one of a hundred variants of shade placed around the perimeter of a large wheel, is set firmly in the grey quadrant.

Despite the slimy conditions underfoot, I choose to descend from the well-lit comfort of the Leas to the bleak seashore via the Metropole Steps rather than the Zigzag Path, deducing that the strain on my knees and calves will be less that way.

There is barely a whisper from the waves tonight. The overwhelming flatness of the scene has deterred the customary photographic shooting party from assembling to capture the final, ferocious blaze of orange and gold of the sun over Sandgate shore. Anyone hoping to catch tonight’s projected meteor shower will be sadly disappointed. Even the moon, a mere twenty four hours from full term, doesn’t appear bothered to turn up.

Neither do I hear Matthew Arnold’s “grating roar of pebbles which the waves draw back”,  so imperceptible is nature’s refrain this evening. Aleppo, Trump, Yemen, Brexit all drift from my consciousness, at least for a short hour. I am at peace, and am reminded of  Nathan Coley’s Talking Heads inspired sign on Tontine Street that “ heaven is a place where nothing ever happens”.

Because nothing is happening tonight in this little speck of paradise.

But then everything is happening.

Across the bay, the lighthouse on the Harbour Arm blinks through the gloom. The sixteenth century Out of Tune bell, rescued from a church in Leicestershire, hangs suspended above the area where once the rotunda, boating lake, swimming pool and fairground rides, thrilled generations of children.

A dalmatian puppy snuffles among the seaweed encrusted pebbles on the shoreline, while its impatient owner punctures the peace with impassioned and fruitless entreaties to it to accompany her back to the refuge of her Range Rover parked at the foot of the Leas Lift.

A discarded, empty tuna mayonnaise sandwich pack flutters in the breathless breeze in the midst of Folkestone’s own modest version of Stonehenge or Avebury. If, as seems likely, the stillness of tonight’s air fails to dislodge it, I am reassured that a town sprucer will probably complete the job in the morning.

A lone fisherman has set out his stall for what appears to be a long night ahead. It reminds me of all night sessions on the Dungeness shingle with my uncle half a century ago. I wonder now why I ever went. I was never interested in fishing. I don’t even recall experiencing the elation of catching much either. Perhaps it was the thrill of spending a night away from home on a beach with a nuclear power station looming over me that lured me.

I stroll along the curved seawall that separates the two main parts of the beach, squinting at the six wooden, weirdly shaped seats donated by the Dutch government, and reach the imposing rock groyne. It would be foolhardy this evening to venture out onto this mini-Giants Causeway as some do during the daylight in low tide.

Debate rages on social media as to whether the shape of the groynes that branch out in opposite directions from the beach represent a mermaid, gull, whale or even the Royal Air Force crest. I will not fuel the dispute here, other than to offer the diplomatic suggestion that there is a case to be made for all of them. Whichever it might be, it is a fine sight by day when viewed from the Leas.

Pastel hued beach chalets are now padlocked up for the winter and the Mermaids Cafe Bar, welcome pit stop on the long promenade between Folkestone and its western coastal neighbours of Sandgate, Seabrook and Hythe, is now open on fine weekends only. Tonight, it is dark in contrast to the newly renovated View Hotel beaming benignly down upon it. The hotel’s Cliffe Restaurant, which, in only a few months, has earned a deserved reputation for fine dining and excellent service, will, in contrast, already be busy with office Christmas parties.

I return to the Leas via the lovely Zigzag Path, a walk rendered all the more atmospheric as I weave through its alcoves and tunnels, by its resemblance to those of a Greek island. All that is missing, thankfully, are the maltreated donkeys.

I defy anyone to deny that they enjoy a warm summer’s day by the sea. After all, as the popular expression goes, life’s a beach. And I look forward to the first full summer in my coastal home next year.

However, it is moments like this when enjoyment is a hopelessly inadequate word to describe the impact of this magical place on me. I think I will attempt to define that more fully on another occasion, but, for now, I can only equate it to love in all its manifestations.

Once in a while you get shown the light in the strangest of places if you look at it right is one of my favourite quotes, and is never more relevant than in relation to my feelings for Folkestone. Who would have thought that fifty three years ago, when four adults and three children aged between eight and ten years plus luggage, miraculously emerged from my mother’s Ford Anglia, to cram into that bed and breakfast in Foord Road, that not only would I make this my home all these years later but would instantly become enraptured by the place all over again?

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One of these days I might manage to walk past this place.

But it’s not likely to be anytime soon.

For a start, you can’t miss it. The attractive magenta, cyan and yellow (you can tell I use Epson printer cartridges) frontage in itself will cause all but the most rushed tourist or day tripper to stop momentarily, smile and ponder whether they should while away an hour inside.

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Ready for the Big Switch On!

The huge picture window of the upper (magenta) level of this independent coffee house near the top of the Old High Street in Folkestone allows that unsuspecting passer by to peer more closely at the interior, and marvel at the walls crammed with books of all ages and sizes. They will also observe the VIPs among the clientele who have snagged the settee and armchair in that window. Despite the fact that many complain that they feel in a goldfish bowl once they are ensconced there, they are never in a hurry to vacate the space, and when they do, there is always a civilised clamour to assume residency.

And after all, it is the best people watching spot in Folkestone!

The scholarly feel continues when you place your order with the welcoming staff. You become temporary custodian of part of the book collection with a number on the cover to identify your order, a twist on the ubiquitous wooden spoon. This morning I am handed a copy of The Faithless Lover and other Poems by Leonard Ley – no intended reflection, I’m sure, on my character, but, nonetheless, I shall move swiftly on.

I take my seat at the small table behind the settee. This is the best place to write as it provides an element of privacy and just enough space for laptop, phone, coffee and plate. And there is a tasteful lamp for reading purposes and the beautiful double-sided screen made exclusively for Steep Street by Zimbabwean born local artist Thurle Wright to stare at for inspiration and worth the visit alone – perfect.

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Beautiful centrepiece

I await my ethnically sourced cappuccino and brie, parmesan and tomato quiche, just one scrumptious item on a menu that includes the most luscious cakes as well as tasty paninis, salads and sandwiches, all  prepared, baked and cooked on the premises. There are plenty of vegan options too.

I spot a small girl, maybe three years old, dressed head to toe in pink, hurtling excitedly down the cobbled hill, while her frantic father strains to grasp her hand before she rolls down into the harbour. Should he fail, I am at least reassured that it is low tide at the moment.

Civilised, animated conversation is another attractive feature of life at Steep Street, and today is no different as it reverberates around the split level layout. Leonard Cohen’s untimely death, announced earlier this morning, vies with Trump, Brexit and the imminent new series of I’m a Celebrity Get Me Out of Here (I made this last one up) as the main topics of discourse. All is calm and unhurried. Even the background music (Paul Simon as I write this) is soulful and unobtrusive.

A bedraggled mutt (I think he must have been for an early morning dip in the Pent Stream) sidles up to me and engages in a couple of minutes’ foreplay that entails the licking of hands and coyly turning its head away when I try to stroke it, before settling at my feet and catching the crumbs of my quiche as they – accidentally on purpose – escape from my plate.

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Gates of Paradise!

Spotting the Grateful Dead lightning bolt and teddy bear stickers on my laptop, his owner begins to reminisce (as far as he can remember) about his involvement with the Deadhead community in the U.S. in the eighties. This leads to a conversation about his attempts to bring traditional Irish music to the town. We debate the respective merits as venues of the Leas Cliff Hall, with whom he already has a meeting arranged, and the Quarterhouse on Tontine Street. I assure him that there is an audience within Kent and recommend the latter as the more appropriate (and crucially smaller) venue.

On his departure, his place at the adjoining table is taken by the Member of Parliament for Folkestone and Hythe, Damian Collins, whom I had only come across the previous day at the Folkestone Jobs Fair. I introduce myself as one of his new constituents and exchange a few words about the recently launched business hub on West Terrace.

As a fellow devotee of Steep Street the man clearly has some taste, and his campaigning for Remain in the EU Referendum endears him to me still further.

But I wouldn’t vote for him.

A young couple with extensive facial piercings sit at the corner table and extract their laptops from their satchels, rendering the upper level a scene from an Apple interns’ breakout room. Or at least it would if Mr Collins, and especially I, didn’t double the average age.

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A great study space

As I stand and rummage in my trouser pockets for £2.60 for another cappuccino, one of the young women serving behind the counter informs me (and the customers around me) that the man that I had been talking to previously had, on leaving the cafe, paid for a large drink for me. I am delighted and humbled by the gesture, or at least I would be if I weren’t so darn embarrassed too.

The charming owners, Stephen and Alice, are committed supporters of the upcoming Folkestone Book Festival, sponsoring illustration, flash fiction and “short and tweet” competitions, as well as publishing a magazine containing the best five entries in each category. During the event itself, they are hosting creative writing and poetry workshops. In many ways they will be the epicentre of the entire festival.

Steep Street’s reputation as literary linchpin of a town increasingly defined by its artistic offering (the next internationally celebrated Triennial is scheduled for next year), is enhanced by the provision of “blackboard” tables upon which customers, primarily, but not exclusively of the milkshake rather than flat white persuasion, can chalk their own artworks.

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A rare opportunity to nab the best people watching seats!

The same pink-spattered child observed earlier had thankfully avoided a watery, or rather muddy, grave following her hair raising downhill run on the cobbles, courtesy of a relieved Daddy carrying her back up the hill. In celebration, she tips the tumbler of coloured crayons on the table and sets to work.

Witnessing the resulting, naturally pink (or is it magenta?), Christmas tree exposes my own artistic shortcomings and I resolve to offer to pay a surcharge next time I’m obliged to sit at that table. My signature art piece since the age of three, and still serving me well / ill (delete as appropriate) are matchstick men and women wearing top hats, and in the case of the latter, the additional, creative touch of equilateral triangle shaped skirts.

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My book is in there somewhere!

The self-styled Folkestone Poet stands stoically in his accustomed spot outside the Big Boys Fine Burger Co. restaurant directly opposite Steep Street. His sales technique entails whispering to passers by while waving three copies of his verse collections gently in the air, hardly likely to secure him a retail job, but quietly appropriate for his role in the town’s life . Most of those who stop tend to smile sheepishly and scurry off without making a purchase, deterred by a combination of price and content, but I find his work refreshingly direct, full of gallows humour and the most idiosyncratic spelling. And there are occasional flashes of heart rending poignancy.

My incipient bromance with Damian Collins attains a new level of intimacy as he buys a copy, though a cynical fellow patron speculates loudly whether he will claim the £3 back on his parliamentary expenses.

Oh ye of little faith.

But he could be right.

Regardless, I think he’s a “top bloke”.

But I still wouldn’t vote for him.

After two large cappuccinos and a (small) bottle of Pinot Grigio, I resolve to take advantage of the fast improving weather outside and drag myself away. My decision is rendered even  easier by the arrival of three young mothers with babies and associated paraphernalia who pounce on the settee / armchair combination in the window vacated by an elderly couple and begin to spread out.

It may be a long time before those coveted seats become available again.

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My final duty is to adjudicate among two middle aged ladies who cannot decide which of the enticing cakes adorning the counter they should indulge in. After some discussion about the relative merits of the blueberry vanilla sponge and raspberry and chocolate cake, they take my advice and plump for the lemon cheesecake, which, judging by the moaning and smacking of lips I hear as I open the door to leave, has been one of my better decisions.

If you live in or near Folkestone, are a young mum, aspiring writer or lady that lunches (other socio-economic groups are available), and have not tottered down the Old High Street in the past year, you are missing a treat.

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“Work is so busy”.

“I’m too tired in the evenings”.

“The kids take up all my time”.

“I just can’t think of anything to write”.

The list goes on.

Writers are society’s great procrastinators, forever finding excuses for not putting pen to paper (or fingers to keyboard).

And I’m no different.

Aside from (some claim unhealthy) daily absorption in social media, primarily Facebook, I have written little of consequence over the past eighteen months, in fact a total of twenty five posts on my blog, admittedly most of which were of considerable length.

But it is now three years since I published A Half-Forgotten Triumph with my late, lamented co-author, Martin Moseling, to some acclaim in cricketing circles. That was to be the – somewhat idiosyncratic – launch pad for a writing career that, frankly, was always going to be more likely to bring modest pleasure to a small proportion of the reading public than any riches to its author.

Based on a host of articles written on annual trips to San Francisco, I planned to follow Triumph up in 2015 with a book celebrating, from an English traveller’s perspective, the City by the Bay. By the time I’m writing this piece, I would have hoped to have published it.

Not so.

A significant chunk of Smiling on a Cloudy Day: An Englishman’s Love Affair with San Francisco is still sitting on my desk in the nicely decorated binder I bought for the express purpose. Less developed is the manuscript of High Kicks and Red Rocks: A South West Road Trip which was the next planned work.

Now, this is where, in the classic writer’s fashion, I reel out my own excuses – deteriorating health and ultimate death of my father, which took a physical and mental toll, the passing of two other close friends, including the aforementioned Martin, two major operations for myself and, during this calendar year, the need to sell two properties and purchase another fifty miles apart.

Under cross-examination, I do believe I could make a case for partly justifying my inaction in respect of some of those issues, but, ultimately, my natural indolence took control of my writing energies.

But I can no longer cite them, or any other factors for that matter, as reasons for not getting “back on the horse”.

So it is time to dust off that nicely decorated binder and get to work on Cloudy Day, and following that, High Kicks. 

And I will.

However.

(I know – procrastinating again).

A slight spanner has been thrown into the works in the past few months which has had both a positive and potentially negative impact on my writing plans.

Folkestone.

My new home on the Channel coast has given me both a source of renewed inspiration and motivation. Without it, I doubt whether I would have been able to exorcise those demons I listed above.

It has been the subject of my four most recent blog posts, the last three alone written in the two and a half months since I arrived in the town that had generated so many happy memories from half a century ago.

But the danger, of course, is that its charms might divert me from the plans I have just outlined for those two books. I suspect that there may one day be a need to make Folkestone the main protagonist of another, more substantial, piece, but, for now, it has to be the light relief, the day job if you like. Aside from the requirement to sustain interest in the upcoming San Francisco book, ever more important as completion approaches, it will continue to be the primary focus of my social media activity.

Now where did I say that nicely decorated binder was?

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I explained in my last post (in what appears now to have been a different archaeological period) why my wife and I had decided to move to the Kent coast, specifically my childhood summer playground of Folkestone.

( http://www.tonyquarrington.wordpress.com/2016/01/11/it-was-always-folkestone/ ) .

Well, two house sales, one flat purchase and much frustration and spasmodic heartache later, we descended upon the town a fortnight ago. And every night over the dinner table we interrogate each other as to why we hadn’t done this many years before.

But, of course, there were a number of viable reasons (or were they excuses?) – proximity to ageing parents, financial constraints borne of a meaty mortgage and an almost bank-busting propensity to go on expensive holidays, particularly to the west coast of the U.S.A, or maybe it was just unwarranted caution.

But there is no value in dwelling on those now.

It is the future that matters.

And the future is Folkestone.

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We might have settled into our new apartment a month or so earlier had our sellers – now, let’s put this kindly – not taken a more relaxed approach to moving than us. Firstly, they refused to let the estate agents have a set of keys, insisting that they show prospective buyers around their property. Their prerogative, of course, and they did afford us nearly an hour of their time on two occasions, making us tea and establishing a strong personal rapport (we thought).

However, the fact that they engineered a seven week gap between those two viewings and prevented the surveyor from examining the apartment for a further month, explained by a combination of work commitments and regular retreats to their holiday home in France, proved immensely frustrating and stressful as progress on the sale of our house in Gillingham proceeded smoothly.

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Moreover, half way through the process, and completely out of the blue, their solicitor delivered an ultimatum to us, insisting that we pay a non-refundable deposit of 1% within 24 hours or they would pull out and place the property back on the market. Disaster was only averted through by the estate agent persuading them that fairness dictated that they put up a similar deposit. An open-ended exclusivity agreement sealed the deal, barring subsequent major catastrophe.

We had viewed eight other properties in the West End of town, none of which remotely matched up in terms of visual appeal, character or size. Once we had seen the property and submitted an offer at the asking price within five minutes of leaving it, we were determined that it would be ours. We even took a significant financial hit following the survey on our own house to secure it.

And the physical move was not without its difficulties either. Firstly, despite valiant and agonising attempts to reduce my book collection before the move, enriching the minds of the populace of the Medway Towns into the bargain, there were still a huge number of heavy boxes of books for the removal men, not only to load onto their van at our former house, but to carry up forty one steps to our apartment in the sky at the other end. We may not have taken much in the way of furniture and white goods, planning to buy long overdue new items on arrival, but this was still a challenging task for them in addition to the ninety mile round trip.

They were brilliant by the way.

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We have already bought a new washing machine (to replace the one that had served us so well for twenty years) and our first king size bed, incurring the wrath, in the process, of two teams of delivery men doomed to lug them up those aforementioned stairs. I know it’s their job, but I felt a little guilty as I witnessed the grunts and groans that accompanied the manipulation of the items round and over the bannister at each level.

I dread what expletives might reverberate around the building when a new oven, fridge/freezer and wardrobe are delivered in the coming weeks!

But – let’s be fair – they have it easy.

Because, at least in the case of furniture, they don’t have to assemble the blighters!

The manufacturer’s instructions for the bed stated that it would take two people an hour and a half to accomplish.

Yeah right!

Now, I’m arguably the least competent do-it-yourself person  on the planet, though my wife, having been brought up by a handyman father and two equally proficient brothers, has some aptitude (and, miraculously, managed to translate the nineteen pages of obtuse drawings into a workable plan).

I may never have been more impressed by her than on that day.

My contribution, such as it was, was to supply the occasional burst of brute strength.

So how long did it take us?

Only the seven hours!

Usain Bolt could have run the hundred metres 2,520 times in the time it took us to put that  together!

But it was worth it, even if there is still a niggling worry as we lay our heads down at night that it’s going to collapse beneath us.

By the way, the washing machine is working well. It even seems to know when the clothes haven’t quite dried and takes it upon itself to add a few minutes to the cycle. Modern technology eh?

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Well, at least we were able to slump in front of the television after our mammoth Saturday morning/afternoon ordeal.

Wrong!

Despite assertions before the move that our Virgin Media services would be installed within a few days of our landing in Folkestone, we will have had to wait three weeks before we have an operational landline, broadband or TV in the apartment. Consequently, we have not seen a single minute of the Olympics or the start of the Premier League season – oh, and I must not forget the soaps (my wife instructed me to include that). That said, we have caught up with a lot of movies and television series on DVD that we have not seen for years, or, in some cases, not even taken the outer sleeve off!

Telephone access is not a problem as we have mobile phones, but obtaining meaningful Wifi access (other than on said devices) has necessitated expensive daily trips to the coffee shops of Folkestone (I’m on my second flat white of the morning in Costa Coffee as I write this).

I would not wish any of the above to give you the impression that we are regretting the decision to move.

Far from it.

The glorious skies, near constant sunshine (so far), even the noisy but necessary birdlife have all been a joy, and Bob’s and Chummy’s at the harbour, Rocksalt, Copper and Spices, Django’s, the Lighthouse Champagne Bar at the end of the Harbour Arm, the GrandSteep Street coffee house and others have all benefited from our custom over the past fortnight.

A significant added and unexpected bonus has been my wife’s transfer from Chatham to Folkestone, converting a round trip drive of more than two hours into a ten minute walk to her new office.

We had planned to head out west in late September for a few weeks. This was diluted to a week in Italy as the exchange rate plummeted following the EU referendum (I refuse to use THAT word). Now, we have decided to stay at “home” and acclimatise ourselves to our new surroundings. After all, there is a sense that we are still on holiday and staying in somebody else’s apartment, but I’m sure that will recede as autumn and winter approach (or will it?).

But when I can gaze upon views like those below every day I feel blessed, and any temporary and trivial hardships, before, during and after the move, simply fade away (unlike love).

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