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Archive for the ‘Folkestone’ Category


Picture the scene – one of the checkouts at Morrisons supermarket on Cheriton Road in the late summer of 2018.

I have placed my shopping on the conveyor belt along with my walking tour embossed satchel.

As the middle aged woman on the till begins to ring through my fresh tagliatelle, packet of arrabbiata sauce and bottle of Montepulciano d’Abruzzo – enough to begin with to raise her eyebrows at – she spies my bright red bag.

The conversation goes like this.

Woman (sniffily)

Folkestone Walking Tours – hmmm. What’s that mean?

Me (enthusiastically)

I deliver walking tours of Folkestone.

Woman (inquisitively)

Oh. You’re from Folkestone then, are you?

Me (informatively)

No, I moved here two years ago.

Woman (aggressively)

I’ve lived here all my life. What makes you think you know all about it then?

Me (pleasantly if defensively)

I certainly don’t. But I love Folkestone, having spent my holidays here as a child. And I want to share that with visitors and others,

I’ve also done a lot of research and talked to many people who are lifelong residents.

Woman (distrustfully)

Well, it doesn’t sound right to me.

Me (helpfully)

Perhaps you could come on one of my tours and see for yourself? You’d be very welcome.

Woman (irritatingly)

That’s not my sort of thing. Besides, I can’t walk very far.

I bag my Italian feast for two, pay and make my excuses.

I should finish by making it clear that I had nothing to do with the fire that raged through the building a couple of months later.

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A biting breeze and thin drizzle denote December’s inevitable but uninvited return. Twilight descends on the ancient churchyard.

Never has the phrase “quiet as the grave” seemed more apt. 

As I pause to tie my bootlaces by the Town Cross, venue for the making of mayors for many centuries, my body shudders as a young woman brushes past me, the hem of her blue dress grazing the grass border, and her white headpiece fluttering in the wind. She carries provisions – bread, leeks and a small flagon of beer – for the poor in a round wicker basket, forswearing another potentially lucrative tryst with a Northumbrian nobleman, orchestrated by her frustrated father.

Her head bowed, she whispers “Good evening, sir, God be with you”. Before I can frame an intelligible response, she disappears behind the west window.  

Composing myself as best I can in the circumstances, I shamble on past the crumbling tombs, narrowly avoiding a collision with a rat, scurrying across my path to the sanctuary of the lopsided lychgate leading into Church Street. The Pullman pub is empty, save for a few flickering candles and a lone member of bar staff deep in conversation with his mobile phone. 

The lanterns of Rendezvous Street are unusually dim, and the restaurants are sparsely populated. 

The stillness is unnerving, but strangely thrilling.

I turn into the narrow, twisting, rain drenched street that slides down towards the harbour.

Many months have elapsed since chaotic, cacophonous Charivari had snaked up that old thoroughfare, all drums and whistles and cymbals, and other less conventional instruments. More recently, the ground had groaned beneath the burden of polished, red-laced “Doc” Martens, worn by follicly challenged pilgrims lumbering towards Gillespie’s and The Ship for an afternoon of Special Brew, and worship at the altars of Prince Buster and The Specials.

I am alone.

But am I?

The fog in my brain mirrors the slowly enveloping mist approaching from the bottom of the hill. Images of times past in this salty, saintly town start to consume my thoughts. 

Nothing is quite what it seems.

My longing for one last lingering look at the dazzling, daily alchemy conjured up in the rock shop near the top of the street Dickens christened a “crippled ladder” is soon answered. The heady, fashionable aromas of craft beer and Nicaraguan coffee cannot compete with the memory of the sickly sweet perfume radiating from that beloved spot, where, nose squashed against the glass, a small boy gasped in awe at the thick, long sticks of heaven being rolled.

“Let me in at the front, Michael, you’ve been stood there for ages”, pleads his tearful younger sister, Anna, her view obscured by the taller girl stood in front of her.

“Have they started giving out the bags of broken bits yet?”, another boy bellows from further back in the crowd.

A sudden, excited scrum confirms his suspicion as I catch an intoxicating whiff of granulated sugar.

It was often claimed that if Rowlands were to shut its doors for good, Folkestone would die; a prediction, thankfully, since proven dramatically wrong, 

I stumble into Steep Street Coffee House for cake and cappuccino, a combination that never fails to comfort. I am their last customer of the day and the staff, without being obtrusive, are cleaning up around me. The self-styled Folkestone Poet has vacated his customary sales pitch across the cobbles at Big Boys Burger, his heavy overcoat and leather balaclava no longer a match for the diminishing temperatures. 

I pass by Marley’s – or what I thought was Marley’s. From a dark upstairs room, redolent of patchouli and cigarette smoke, a loud, piercing jukebox exhorts me to “go to San Francisco” a seductive reminder of the original Summer of Love on such a bleak winter’s evening.

Two young men in afghan coats, and a messy profusion of facial hair, are huddled at the foot of the crippling, crumbling Bayle Steps. 

“Hey man, how’s it going?”

“Far out, whatcha doing’ tonight?”

“Going’ to Archies. The Lonely Ones are playing”.

Nice. I hear there’s some hot Swedish chicks in town too”.

“That’s settled then, Archie’s it is”. 

“Yeah, and I could kill for one of his salami rolls right now”.

I start to follow them through the door, only to find that the closer I get, the scene dissolves in the moist air, and I am left once more outside Marley’s rather than the Acropolis

The piercing cold slices through my flimsy denim jacket and hastens my progress to the bottom of the street. Everything is still again as I try to rationalise the scenes I have encountered in the past half an hour. 

I cross a deserted Tram Road car park and pass under the arch by Ovenden’s old forge into the empty fish market, tiptoeing around the grimy puddles that tend to settle there, whether it has rained or not. 

A solitary gull plods apologetically past, pining for Spring and the reopening of Chummy’s and Bob’s seafood stalls, when it will again be afforded means, motive and opportunity to ambush tourists for their fish and chips and tubs of whelks.

Pausing outside The Shell Shop, I appear to have stepped into an earlier time again. Men in cloth caps and heavy, seaweed encrusted boots trudge up the slipway opposite, lobster pots and herring nets half empty after an exhausting and disheartening shift. They slap their meagre catch on the floor of Fish Shed One, light cigarettes and congregate in whispered conversation.

‘Darkie” Fagg, “Cottage” Featherbe and “Lobby” Spearpoint are leaning on the railing and reminiscing about better days, while Old Ned Saunders, retired these ten years, is mending the sprat nets for a “free” pint or two in The Oddfellows Arms later this evening. 

On The Stade, wives and daughters juggle the demanding tasks of cleaning fish and supervising the smaller, and not so clean, children. 

Observing this picture, it is difficult to gauge which gender had the tougher life.

Meanwhile, grubby, barefoot young boys, oblivious to the dedication and drudgery of their elders all around them, chalk stumps on the wall of Clouts Alley.

“I’ll be Jack “Obbs, you can be Clarrie Grimmett. I’ll ‘it you into the “arbour, every time, just you see” brags nine year old Harry Sharp.

But with his first delivery, Clarrie, better known about these parts as Edmund, and, later years, “La La”, Taylor, traps Jack in front of his wicket and appeals for leg before.

“Owzat! Got you with me flipper, pom”.

A heated dispute follows, culminating in the great English batsman hurling his bat against the wall and storming off in the direction of Redman’s boat builders.

His mother, ankle deep in half gutted dogfish and three scruffy toddlers, calls: 

“Harry, your tea is ready. And find your brother before you come in”.

“Five more minutes, mum. I’ve got to bowl Don Bradman out first. it won’t take long”.

“Five more minutes, my arse – you’ve got thirty seconds. This tea won’t wait. If you don’t get to the table soon, the other kids will have your share”

A case of bad mum stopped play.

As this scene of family harmony evaporates, I hear, from across the harbour, a sergeant major’s earsplitting admonition to “Step Short”  to a long procession of uniformed men stomping down the slope from the Leas above.

The rhythmic sound of boots on concrete is accompanied by raucous renditions of Pack up Your Troubles in Your Old Kit Bag and It’s a Long Way to Tipperary, as the soldiers march to the waiting ships that will take them to the Western Front.

But there is one last treat before their sombre adventure begins.

Inside the harbour station waiting room, two formidable middle aged women adjust their pinafores and rearrange any curls that have slipped beneath their flower bestrewn boaters. They inspect the massive urns containing the last hot, strong tea most of these men will ever drink.

“Come on boys, form a straight line, you don’t have long, you know”, Flora Jeffrey cries out with a tinge of regret in her voice, while her sister Margaret cuts thin slices of trench cake and bread pudding to complete what, for many of these condemned men, will be their last meal.  

“And don’t forget to sign the visitors’ book before you do”.

“All right, all right, you sound like me muvver – nag, nag, nag”, one private who claims to be twenty one but looks barely sixteen, retorts, as he lurches towards Margaret and slurs:

“Give us a kiss”.

But before he can perfect this unwise manouevre, a grizzled veteran of Mafeking and Ladysmith yanks him back by his collar and barks:

“Show the ladies some respect, young ’un’. You ain’t in the playground now, y’know”.

“Sorry, old timer, I didn’t mean nuffin’ by it, it was just a bit of fun”.

Flora chuckles: “You got off lightly there, my boy, that’s nothing to what Margaret would have done to you if you’d got any nearer!”.

An outpouring of communal hilarity is unleashed, and the embarrassed teenager slinks back into the anonymity of the crowd.

I separate from the excited, but fearful, throng with the final strains of Keep the Home Fires Burning ringing in my ears, and join the boardwalk that connects the station with the base of the thirty year old water lift along the beach to the west. 

But I have hardly stepped foot on the old railway sleepers before finding myself in the midst of a large conglomeration of buildings, including a swimming pool, boating lake and fairground rides.

As I try to take all this in, a crew cut kid in knitted cardigan and khaki shorts can be seen rushing into a huge, dimpled dome that is destined to be his whole world for the next two weeks. He will never tire of rolling a penny for plastic motor cars or shooting a steel ball into a hole for packets of mints.

His father and mother, the latter clutching a wad of what appear to be tickets, frown as they dismount from the blue plastic seats they have occupied for the past two hours, where they had been subjected to an increasingly annoying loop of “legs eleven”, “two little ducks, twenty two” and “two fat ladies’ eighty eight”. 

The boy drags himself from the penny pusher slot machine and scampers towards them in a frenzy of excitement.

“How many wins did you get, mum?”.

“Eight”.

His heart sinks. “Oh no, that big cuddly monkey on the bottom shelf is nine wins. Can you play some more games and win it for me?”.

“We don’t have time, darling; besides dad and I want that nice set of tea trays that are eight wins. They will be just perfect for our TV dinners when we get home”.

“Boring”. 

Feeling betrayed and despondent, the boy skulks off in the direction of the Runaway Coaster.

But he is soon appeased by a promise to go to his favourite fish and chip restaurant in Tontine Street for tea.

Intermittent drizzle and mist has given way to steady rain and a thickening gloom. Hungry and shivering, I resolve to return home. 

Christmas lights bestride the street across the ragged rooftops, and retailers and restaurateurs contend for the accolade of best dressed window, though tonight there is nobody about to judge them. 

Apart from the echo of my boots upon the sodden cobbles, silence is restored.

Until I reach Archie’s.

From that same gloomy upstairs window from whence the Flowerpot Men had serenaded me two hours – and a hundred and fifty years – earlier, the Small Faces remind me that:

“It’s all too beautiful”. 

After the battering my senses have taken this evening, I remain to be convinced of the veracity of this hypothesis.

So I try, for the second time, to gain access to the old haunt of hippies and radicals.

As I take my first hesitant steps in its direction, fully expecting to find myself in Marley’s again, the doors open of their own accord and I am permitted to enter.

And there, waiting to greet me, is the original owner, Mickey Argegrou, who is anxious to introduce me to his special guests for the night. 

To my astonishment, St Eanswythe is here. The modest blue and white garments she had been wearing during our perfunctory encounter in the churchyard earlier have been replaced by brightly coloured, patterned flower dress and matching peaked hat. She is sampling her first ever cup of coffee and, judging by the uncharacteristic grimace that quickly follows, she is unlikely to order a second. Water from her own spring and the occasional small goblet of mead will remain her preferred tipples. 

With the final troop ship of the day, Engadine, set sail for Boulogne, and the Mole Cafe consequently closed, the indomitable Jeffrey sisters have swapped their pinafores for elegant three quarter length dresses. They appear to be conducting a taste test of Mickey’s famed rum babas, comparing them in the process with their revered fruit cake.   

John Brickell, still in his overalls and safety cap, is here too. He has disappointed his vast army of young fans by holding back the remnants of today’s rock rolling, handing the broken bits around to the grateful regulars, who find them a perfect accompaniment to their cocktails. 

And Harry Sharp, grown in the past hour into a handsome young man, but still smarting from his first ball duck at the Clouts Alley Oval, is feeding the jukebox, while Old Ned Saunders, released from his net repairing duties, though not separated from his favourite fisherman’s jumper, for the evening, is leading a communal sing along to the latest tune selected by Harry:

“Those were the days, my friend”.

After the scenes I have witnessed this evening, I am inclined to agree. 

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Waves sweep through railway arches

And Rip Tide and Isabella,

Sea Warrior and Connemara,

Long time inner basin residents,

Swing and sway

To a soaring seagull symphony.

Folkestone’s Marmite building too

Comes to life once more;

Buses from Runcorn, Rhyl and Redcar

Offload oversized congregations,

Suitcases outnumbered by

Disability impedimenta.

The quayside is converted

From pedestrian thoroughfare

To geriatric racetrack

As mobility scooters

Scatter unwary walkers,

While rickety zimmer frames

Clog up the wide, windowed doorway.

An elderly couple from Cleckheaton,

Weary and windswept from seafront stroll,

Stagger from harbour fish bar

To plant their tired torsos

On the refuge of roadside benches.

Weekend specials are back on the menu,

With almost every still standing Sixties star

Scheduled to perform in the coming months.

Inside, there’s not a spare seat

In the suffocating heat of the lounge bar;

Tables are laden with leftover sandwiches

And half empty glasses of gassy beer;

Debate lurches from Covid controls

To rabid rants about refugees,

Inflamed by hate-filled headlines

In the crumpled copies of the

Daily Mail and Daily Express

Left lying on abandoned chairs.

Another bus, bound for Margate,

Sandwich, Canterbury or Chatham,

Parks outside to await the sedentary rush

From couch to coach in thirty seconds;

Its passengers forsaking Folkestone

No sooner than they have arrived,

Only to return to eat and sleep tonight

Before escaping again to towns

No more deserving of their patronage.

Dover Docks and Cap Gris-Nez

Lurk somewhere beyond the growing gloom;

What catastrophes might be unfolding

On that slim, unstable stretch of water?

A headless chicken on Rocksalt’s roof

Reddens and revolves in sudden frenzy,

While in the ballroom along the road

A bingo caller hollers “two fat ladies”

To a sparse but satisfied audience.

As the sun punctually dips down

Beyond the Jelly Mould Pavilion,

The receding tide meanders 

Through the East Head gateway,

And the inner harbour boats

Collapse back on their sides.

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I was recently asked by a local magazine a series of questions about my poetry, its provenance and future plans. This is a transcript of the “interview”.

Can you remember your earliest interaction with poetry?

I suppose, like most children, nursery rhymes would have been the first poems that I engaged with. And then, as I progressed through primary and grammar school, I was exposed to Shakespeare, Wordsworth and the “classic” English poets. 

When did you realise that you not only had the talent and skill to be a successful poet but that you wanted to pursue a career in poetry?

That is making a big assumption! But, like most adolescent boys, I wrote soppy “love” poetry that, fortunately, has not survived! 

To readers who may not have heard you before, how would you describe your poetry?

I subscribe to Leonardo da Vinci’s claim that “simplicty is the greatest sophistication”, so don’t try to over cook the imagery or make the poems too wordy and obscure. I still, on occasions, like to use rhyme and traditional metre, whereas so much of modern poetry is now free verse (which I also do). If there is one goal I try to obtain in an individual poem, it is the creation of a mood, at atmosphere – show not tell I suppose. 

If you could pick the three most memorable moments in your career, what would they be and why?

I did write a three volume “novel” at the age of seven based upon the Tommy Steele song, “Little White Bull”. I am equally proud of the book on Kent cricket I co-wrote ten years ago which was very well received. But, aside from the adolescent stuff, it is only really since I retired from work and moved to Folkestone that I was inspired to write poetry regularly. There was a significant increase in my output during the first Covid-19 lockdown when I was producing a poem a day for several months. Some of those verses feature in my collection, Tickled by the Turning Tide: The Folkestone Poems, which was published only a week ago on 7th April. 

You are both stranded on a desert island and can only take one book with you, what book are you choosing and why?

As with the radio programme, I am assuming that I can take a complete works of Shakespeare as well? That is an almost impossible question to answer, and my view might change, dependent upon my mood on a particular day. But I will say – today – Ulysses by James Joyce for its radical approach to the novel but especially its humour and evocation of a place (as my Folkestone poetry testifies, it is a sense of place that often appeals to me).

What do you enjoy most about living in Folkestone and do you have any particular favourite go-to spots in the town?

How long is this piece meant to be?! Being by the sea, with all its benefits, has to be the most important factor, though Folkestone’s creative vibe has helped inspire my own work. And then there is the dining scene – one of my poems is entitled I Sit in Coffee Shops, and that pretty much sums up my everyday life! I could recommend so many places, but Marley’s, Django’s, Folklore (where I had my recent book launch) and Steep Street Coffee House are probably my top four, though there are several others that meet different needs at different times.

Has living in Folkestone and being by to the sea helped inspire any of your poems?

Clearly!

Given the past 36 months and the evolving digital world, what are your thoughts on the current status of poetry, will it still have a future in say 40, 50 years’ time and will it need to adapt to survive?

Judging by the growing attendances at the local Poets’ Corner, Folkestone group, the town’s poetry scene seems to be thriving. Whilst I found that Covid gave my poetry a significant boost, providing me with a mechanism by which I could come to terms with what was happening, I know that others were completely floored and could, or wanted, not to write anything. I believe we have now moved out of that depression and many, maybe even more, people are writing again. Poetry has been with us for thousands of years, and I expect it to continue to have a role in attempting to make sense of the world and articulating it in a thought-provoking and – important for these days – manageable way. 

Do you have any upcoming books that readers should look out for?

I have already mentioned the Folkestone poetry book, which is available online through all the major retailers and also being sold on my behalf in a several outlets throughout the town.  The best way at present to get your hands on a copy – and a signed one at that – is direct from me by messaging me on my Facebook pages or email at tonyquarrington@msn.com.

Do you have a future vision of what you would like to achieve over the next 5-10 years?

Absolutely – I have several projects on the go. For the past twelve years I have been putting together a book about my love for San Francisco, and with the immediate Folkestone project completed now, I can return to that. Since I moved to the town I have been keen to produce a modern tourist guide, based upon my walking tours that I have been delivering for the past six years. And with an Italian holiday on the horizon, I am hoping to write a travel diary, hopefully in poetic form. And possibly a second volume of poetry!

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I am pleased to announce that my first collection of poetry, Tickled by the Turning Tide: The Folkestone Poems will be published on 6th April 2023.

When I was first taken on holiday by my parents to Folkestone at the age of ten, I could never have thought that, more than half a century later, I would not only return to the town to live but be publishing a book of poetry inspired by it.

All thirty three verses reflect my adopted coastal home, covering key moments in the town’s history, from its fishing heritage to its role as a port of embarkation for war, and from its period as a fashionable seaside resort, which welcomed royalty and writers, to its decline and subsequent regeneration as an art and dining destination.

I also explore aspects of modern living in a town that is changing rapidly.

Since I moved here with my wife in 2016, I have not only written and performed my poetry in a variety of locations, including coffee houses, bars and even on the steep, cobbled Old High Street, but also created and run a successful series of literary evenings, initially as a lockdown solution but still going strong after three years, and delivered award winning walking tours of the local area.

The official launch will take place at Folklore on Tuesday 11th April 2023 at 7pm, at which I will be signing copies and reading a handful of the poems.

I will also be delivering more readings at the Steep Street Coffee House on Thursday 4th May in the coming weeks in addition to running walking tours on 22nd and 26th April to promote the collection.

The book will retail at £10.99 in the UK (USA £12.99) but, for the first two months, I will be offering it at the discount price of £8. For those living in and around Folkestone, I will be happy to deliver or arrange collection. I will also be delighted to sign the book (for those wanting its value to diminish immediately!).

It will also be available for sale from 1st May  at the Folkestone Bookshop, Town Hall/Musuem, Steep Street Coffee House and The Great British Shop on the Old High Street. I am currently negotiating with other outlets to do the same. If you have any questions in the meantime or wish to purchase a copy once it is available, please either message me on one of my social media platforms or email me at tonyquarrington@msn.com.

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My upcoming poetry book, “Dust in my Cappuccino” is a collection of thirty two poems inspired by the coastal town of Folkestone in the south east corner of England. In order to provide some context to the poems for those readers unfamiliar with the town, I have written a short history of the town. This will feature as the introduction to the collection when it is published next month.

Located on the south east coast of England, a handful of miles from the famed White Cliffs, and only twenty two miles from continental Europe, Folkestone has had a long, varied history, boasting both Bronze and Iron Age settlements and a prominent Roman Villa, sadly now perilously close to the cliff erosion that has always afflicted this coastline.

Descended from the the Anglo-Saxon Kings of Kent, Eanswythe, a devout young princess, founded a nunnery in the town in the seventh century AD, and was subsequently made a saint. Her bones, discovered in the parish church by workmen in 1885, were radiocarbon tested and confirmed in 2020, and the church is now becoming a growing site of pilgrimage.

For a thousand years, Folkestone was a modest fishing village and, for most of that time, as a limb of the Cinque Port of Dover, also a busy trading port. Smuggling was a not insignificant business from the eighteenth century too. But it was the coming of the railway and associated cross-channel ferry industry from 1843, and the construction in later decades of grand hotels and white stuccoed family homes, notably in the West End, that contributed to its rise as a fashionable resort that attracted royalty, artists and writers in addition to the Victorian and Edwardian middle class. Much of this development was conceived, funded and overseen by the Earl of Radnor, who still owns land in the town and surrounding area.

The “golden age” that began around 1880 arguably came to a sudden halt with the outbreak of the Great War, which had a profound effect on Folkestone. It became a major port of embarkation for the Western Front, and the final sight of England for millions of troops, many of whom will have marched from the neighbouring Shorncliffe army camp. The bombing of Tontine Street in 1917 brought about the highest number of British civilian dead as a result of an air raid during the war up until that point.

The inter war years saw a revival, with Folkestone exploiting its natural beauty – the Channel views, rolling hills, delightful parks and gardens – by marketing itself as “Fashionable” and “Spacious and Gracious”. Moreover, its popularity as a resort was enhanced by the Earl of Radnor’s “foreshore development” that included the building of the Rotunda, the largest unsupported concrete dome in Europe, swimming pool and boating lake, supplementing the existing Victoria Pier, switchback railway and the 1885 Leas water lift.

The town suffered heavy bombardment during the Second World War, destroying much of the harbour, but recovered as a seaside destination during the fifties and early sixties, which is when my Folkestone story began. The Rotunda, quaint, steep Old High Street with the revered Rock and Joke shops and the popular ferry route to Boulogne-sur-mer, kept the visitors coming and the locals entertained.

But, like so many other UK coastal resorts, it suffered a deep decline as the advent of cheap air fares, duty free and longer annual leave allowance, led to an escape to resorts where the sun was twenty degrees warmer and the beer ten degrees colder. Many of the much loved attractions and hotels closed, were demolished and converted into flats, and trade in the town slumped. Although the cross-channel ferry industry stopped at the turn of the century, Folkestone has retained its role as a point of departure to the continent with the opening of the Channel Tunnel in 1994.

The new Millennium brought a revival, aided by the philanthropy of former Saga owner, Sir Roger De Haan, who renovated and refurbished many of the buildings in the old town, offering the properties to creatives, provided education and sporting facilities (the latest of which the world’s first multi-storey skatepark), and restored and remodelled the derelict harbour area. The construction of up to a thousand apartments along the shoreline between the Leas Lift (currently closed) and the Harbour Arm is also now underway.

Since 2008, the Folkestone Triennial has showcased new works from established British and International artists, around half of each remain in the town once the exhibition is over. There are now around ninety such pieces placed outdoors around town.  

De Haan’s influence and the arrival of the high speed rail link (only fifty four minutes from London) in 2007, has proved a happy marriage in rendering Folkestone more accessible. Comparatively cheap (but rising) house prices, the advantages of living by the sea, a vibrant dining scene and improving facilities, not least for children, have all led to a growing relocation of people, many of them young families, predominantly from London.

My love affair with Folkestone began at the age of ten when I was brought by my parents from my hometown of Rochester, forty-five miles away on the North Kent coast, on the first of a succession of summer holidays to the town. It was my mother’s admitted but modest pretensions to social mobility which led to the choice of Folkestone rather than the traditional “bucket and spade” resorts such as Herne Bay, Margate or Broadstairs.

Once I left home and moved around the country for study or work, visits became much less frequent, though I always retained my affection for the town. In fact, my parents long harboured the desire of retiring to Folkestone (on their last holiday together they had stayed in the Grand Burstin Hotel at the harbour), but with my mother’s relatively early passing, it never materialised. But their groundwork was not done in vain, as when the opportunity arose in 2016, my wife and I had no hesitation in moving here.

I have gathered together thirty two of my poems inspired by Folkestone, in which many of the themes and events I have outlined above are referenced and explored. One particular challenge has been whether to present them in a systematic way, for example, chronology, geography or subject matter, but ultimately, they are laid before you in an essentially random form, at least superficially.

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As I step away from Bob’s counter,

With freshly caught crab sandwich

(The crab, not the sandwich),

Clutched firmly in my hand

For fear of avian ambush,

I am swiftly joined by an adult gull –

We will call him “Sid” –

(Because he is no ordinary gull,

As we shall soon discover),

Who plants himself

At a respectful distance 

Professing no interest in the carton

Of half eaten fish and chips

Lounging seductively and dangerously

On the adjoining table.

As I take my first bite,

He does that endearing seagull trick

Of pretending to avert his eyes

Whilst slyly tracking the course

The sandwich takes

Between my hand and mouth.  

A staring contest ensues,,

I for one not daring to take my eyes off

My inscrutable guest for one second.

I try to rationalise with Sid:

“Feeding you is not good for you,

In fact it’s cruel;

You will get ill if you

Persist in eating human food”.

After shooing off an interloping chick,

He replies:

“Crab is hardly human food”,

“I’ve been eating it for years

And it’s never done me any harm”.

Taken aback by this surprising development,

I take another, more censorious, tack:

“But you ransack our waste bins

And leave the contents strewn everywhere

In your search for our leftovers”.

Sid remains unimpressed and,

After what he thinks is 

A surreptitious but unsuccessful 

Jab at my sandwich,

Exclaims:

“Well, that’s down to you people

Not putting your bins our properly;

We wouldn’t take the food if it

Was securely tied and hidden away,

We can’t be blamed for 

Your slapdash behaviour”. 

Irritated that he appeared to 

Have an answer for everything,

I resolved to play the excreta card,

That had to be the clincher:

“You have an unfortunate propensity”

(I had decided by now that

He was an educated sort of chap

And would understand such long words),

For shitting everywhere too,

On our windows, our cars,

And even ours kids, at times’’.

Sid took particular umbrage at this slur:

“Well, on that point, don’t you humans

Claim that it is lucky?

So I can’t fathom your problem here;

And we’re only doing what comes naturally,

We’ve been doing it for thirty million years,

And besides if you didn’t leave so much

Of your crap like pizza and chips lying around,

Our evacuations might not be 

As copious or disagreeable”.

And before I have time to respond,

He tilts his head and 

Turns on the full charm offensive

By saying:

“But come on, admit it, we are cute,

Aren’t we?”

“The way we sashay around, 

Our endlessly amusing repertoire 

Of squawks and screeches, 

And the way we mate for life 

And look after our kids

(Much better than some of you), 

You can’t deny it really, can you?”

I admit defeat gracefully and pass him

My final mouthful of crab sandwich

In acknowledgement of his victory.

As I fold the wrapping, 

Being careful to place it 

In the nearest available bin, 

He flaps his wings,

Checks for any orphan crumbs

Or juicy looking dog ends, 

And scoots perilously past me,

Grazing my left ear,

In pursuit of more sympathetic diners.

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In every tuft of dew-drenched grass

And every slice of crumbling chalk,

The howl of history is heard

Across this patch of green I walk.

Ferries no longer line the pier,

Nor steam from up trains fill the air,

The view replaced by Folkestone sign

And Burstin’s monumental glare. 

Mouldering Martello tower, 

Former lookout for all that floats, 

Stares out today at pitch and putt, 

And bowling club instead of boats.

Above sharp pointed St. Peter’s spire

The roar of spitfires still turns heads

Of tourists, swimmers, fishermen,

And foragers on fossil beds.

The Chinese Elvis lives here now,

From Old Kent Road to East Wear Bay,

No ghetto or jailhouse in sight,

But bungalows and children’s play. 

On ten thousand year old Jock’s Pitch,

Where breathless dogs now chase balls,

A caldarium bubbles underneath

And another chunk of cliff top falls.

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Mermaid Beach at Dusk

On a night like this,

The Cote d’Opale 

Might as well be 

A thousand miles away.

Sky and sea present 

An ashen canvas. 

It is impossible to tell 

Where one ends 

And the other begins. 

Barely a whisper from the surf tonight. 

Even Matthew Arnold’s 

“Grating roar of pebbles”

Is indecipherable,  

So faint is nature’s refrain. 

I am minded that across town,

Above Tontine Street’s old post office

A neon sign proclaims that 

“Heaven is a place 

Where nothing ever happens”.

And nothing is happening tonight 

In this particular speck of paradise.

But then everything is happening.

Just visible along the beach,

The lighthouse blinks through

The thick, enfolding gloom; 

A tuneless, forsaken church bell, 

Hangs silently suspended above 

Where once stood rotunda, swimming pool,

Boating lake and fairground rides.

A cockapoo puppy snuffles among 

The seaweed encrusted pebbles 

While its fretful owner punctures the peace 

With impassioned and fruitless pleas 

To accompany her back 

To the refuge of her Range Rover 

Parked at the foot of the desolate lift.

An empty tuna mayonnaise 

Sandwich carton flutters 

In the breathless breeze beside 

Folkestone’s modest imitation 

Of Avebury stone circle. 

A lone fisherman plants tripod and rod

On the forgotten beach, 

Reminding me of all night sessions 

On otherworldly Dungeness shingle 

With my teddy boy “Uncle Len”

And Eddie Cochran and Elvis on the radio, 

More than sixty years ago.

The overwhelming flatness 

Has deterred the customary 

Photographic shooting party 

From assembling to capture 

That final, ferocious blaze 

Of orange, purple, red and gold 

Over Sandgate’s adjacent shore. 

But tomorrow morning, life will return,

Children will again sprint into the sea,

Mindless of the sharp shells and shingle

That scrape and bruise their fragile feet;

And they will crave the comfort of towels

And the sanctuary of new beach huts.

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A day like any other –

In the middle of a war.

Except it isn’t.

Anticipation is high as 

Mabel and Gertie Bowbrick,

And devoted mother, Nellie,

Wait patiently in line

Outside Stokes greengrocers

On teeming Tontine Street,

For a special delivery

Of scarce fruit and vegetables

Later that afternoon.

At twenty minutes past six,

With darkening clouds 

Concealing surprise,

What sounds like gunfire 

Is heard from the direction of 

Shorncliffe Army Camp.

“It’s just training manoeuvres, 

It happens all the time”,

The general consensus

Among an unconcerned crowd,

Comforted that Blighty 

Remains up for the fight.

Until two minutes later

When the lengthening queue

Is obliterated by single bomb, 

Casually hurled from 

A passing Gotha plane.

Frederick and Arthur Stokes,

And their family

Perish on the spot,

Along with Mabel and Gertie 

And many of their neighbours.

Sixty one slain in total, 

The youngest three months old, 

Thirty six more lives snuffed out

Before the final toll is known

Nearly eight years later,

When valiant, much loved Nellie

Draws her last breath in the 

Royal Victoria Hospital,

Half a mile from the scene.

No rationing of potatoes as planned,

But rather a rationing of civilian lives,

Lost in a line of innocence and hope.

Today, flanked by brewery tap

And greasy spoon,

A small, pale blue plaque,

Sometimes adorned 

With a spray of flowers,

Stands by a bare, open patch,

Where tenacious weeds 

Thrust through shards of slate.

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