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I was recently asked by a local magazine a series of questions about my poetry, its provenance and future plans. This is a transcript of the “interview”.

Can you remember your earliest interaction with poetry?

I suppose, like most children, nursery rhymes would have been the first poems that I engaged with. And then, as I progressed through primary and grammar school, I was exposed to Shakespeare, Wordsworth and the “classic” English poets. 

When did you realise that you not only had the talent and skill to be a successful poet but that you wanted to pursue a career in poetry?

That is making a big assumption! But, like most adolescent boys, I wrote soppy “love” poetry that, fortunately, has not survived! 

To readers who may not have heard you before, how would you describe your poetry?

I subscribe to Leonardo da Vinci’s claim that “simplicty is the greatest sophistication”, so don’t try to over cook the imagery or make the poems too wordy and obscure. I still, on occasions, like to use rhyme and traditional metre, whereas so much of modern poetry is now free verse (which I also do). If there is one goal I try to obtain in an individual poem, it is the creation of a mood, at atmosphere – show not tell I suppose. 

If you could pick the three most memorable moments in your career, what would they be and why?

I did write a three volume “novel” at the age of seven based upon the Tommy Steele song, “Little White Bull”. I am equally proud of the book on Kent cricket I co-wrote ten years ago which was very well received. But, aside from the adolescent stuff, it is only really since I retired from work and moved to Folkestone that I was inspired to write poetry regularly. There was a significant increase in my output during the first Covid-19 lockdown when I was producing a poem a day for several months. Some of those verses feature in my collection, Tickled by the Turning Tide: The Folkestone Poems, which was published only a week ago on 7th April. 

You are both stranded on a desert island and can only take one book with you, what book are you choosing and why?

As with the radio programme, I am assuming that I can take a complete works of Shakespeare as well? That is an almost impossible question to answer, and my view might change, dependent upon my mood on a particular day. But I will say – today – Ulysses by James Joyce for its radical approach to the novel but especially its humour and evocation of a place (as my Folkestone poetry testifies, it is a sense of place that often appeals to me).

What do you enjoy most about living in Folkestone and do you have any particular favourite go-to spots in the town?

How long is this piece meant to be?! Being by the sea, with all its benefits, has to be the most important factor, though Folkestone’s creative vibe has helped inspire my own work. And then there is the dining scene – one of my poems is entitled I Sit in Coffee Shops, and that pretty much sums up my everyday life! I could recommend so many places, but Marley’s, Django’s, Folklore (where I had my recent book launch) and Steep Street Coffee House are probably my top four, though there are several others that meet different needs at different times.

Has living in Folkestone and being by to the sea helped inspire any of your poems?

Clearly!

Given the past 36 months and the evolving digital world, what are your thoughts on the current status of poetry, will it still have a future in say 40, 50 years’ time and will it need to adapt to survive?

Judging by the growing attendances at the local Poets’ Corner, Folkestone group, the town’s poetry scene seems to be thriving. Whilst I found that Covid gave my poetry a significant boost, providing me with a mechanism by which I could come to terms with what was happening, I know that others were completely floored and could, or wanted, not to write anything. I believe we have now moved out of that depression and many, maybe even more, people are writing again. Poetry has been with us for thousands of years, and I expect it to continue to have a role in attempting to make sense of the world and articulating it in a thought-provoking and – important for these days – manageable way. 

Do you have any upcoming books that readers should look out for?

I have already mentioned the Folkestone poetry book, which is available online through all the major retailers and also being sold on my behalf in a several outlets throughout the town.  The best way at present to get your hands on a copy – and a signed one at that – is direct from me by messaging me on my Facebook pages or email at tonyquarrington@msn.com.

Do you have a future vision of what you would like to achieve over the next 5-10 years?

Absolutely – I have several projects on the go. For the past twelve years I have been putting together a book about my love for San Francisco, and with the immediate Folkestone project completed now, I can return to that. Since I moved to the town I have been keen to produce a modern tourist guide, based upon my walking tours that I have been delivering for the past six years. And with an Italian holiday on the horizon, I am hoping to write a travel diary, hopefully in poetic form. And possibly a second volume of poetry!

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Following the unexpected boost provided by the popular final tour of the preceding year, and the business award from Folkestone Town Council, 2020 always promised to be an exciting year. And within days of the commencement of the New Year, the season’s prospects looked even brighter. An approach from the leader of the Sandgate Parish Council resulted in an agreement to deliver ten walking tours of the village, linked to the dates of the Farmer’s Markets in Chichester Hall on the first and third Saturday of each month from May to September.

And, for the first time, I was given funding to research and design the programme, and to compensate for any slow take up in interest.

In addition, the Folkestone Channel Rotary Club asked me to deliver a day long tour and introductory presentation to their members, including colleagues from Belgium and the Netherlands, as part of their fortieth anniversary celebrations. A date had also been agreed with the Friends of Folkestone Museum to conduct a talk, followed by a walk around the Creative Quarter. 

Finally, there was the added enticement of the fifth Folkestone Triennial, scheduled from 5 September to 8 November, during which I had undertaken to provide a series of artworks tours to complement the official programme.

But within three weeks of the launch event, all had “changed, changed utterly” in the prophetic words of W.B. Yeats a hundred years before.

And yet 2020 still became the most successful season in the four year life of Folkestone Walking Tours.

How could that have been?

As March begat April, which turned into May and then June, all the major events in town, including the Triennial, were postponed or cancelled. The only walking I was permitted to do fell into the category of daily “exercise”. I began to joke to anyone who would listen that, if and when lockdown restrictions were lifted, I might find myself the “only gig in town”.

And so it proved. 

On a cool, wet morning on Saturday 4 July I was joined on the steps of Rocksalt by fourteen human guests and a dog for a three hour stroll around the harbour and seafront. Despite persistent drizzle and intermittent dives for cover to avoid the seagulls seduced into joining the group by one of our number with large handfuls of food, it had been a enjoyable and liberating event. My prior concerns about the legality of the size of the group, and the potential inability to maintain the appropriate distance between each other, proved unfounded too as the police in evidence allowed us to move around unchallenged. 

The Sandgate tours got underway two weeks later, and I was eventually able to deliver the entire programme, with a further tour thrown in for good measure. 

But a remarkable thing happened to confirm my earlier prediction.

As society reopened, and many felt comfortable in leaving their homes again, I began to receive requests for tours from leaders of groups such as the U3A (University of the Third Age) and other “Meetup” parties. Starved of their customary range of activities, they were determined to enjoy the great outdoors again. With so little else on offer, walking tours became an even more attractive proposition than they might otherwise have been.

I even found time to offer “new” literary and artworks walks – and a special birthday tour for the family of the former Prima Pottery shop owners on the Old High Street.

With holidays cancelled, there needed to be no end date to the season, other than if further restrictions were imposed, which duly returned in November. But in the intervening period, I was able to deliver twenty six tours for a total of two hundred guests. That figure would have been even greater had the “rule of six” not been in force during part of the period, which left a number of prospective guests disappointed. 

In the space of eight months, 2020 had promised much, threatened to disappoint but ultimately delivered in unexpected but satisfying ways.

And then 2021 proved equally interesting. 

But that is for another day.

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The situation as it stands
Is stay at home and wash your hands;
Shop only for essential needs
And exercise with dogs on leads;
Keep your distance, at least six feet,
And make no plans with friends to meet;
Do those jobs you have left for long,
Practice new skills or write a song;
Home school the children, if you can,
Sit in the garden, get a tan;
Spend more time in your living room,
Watch a film or connect on Zoom;
Do what works for you all the while,
But through this anxious time, still smile.

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With resident white mallard
On a seasonal sabbatical,
A newly arrived black cormorant
Struts and preens on the central island
Of Radnor Park’s fishing lake,
While ravenous pigeons wrestle
Over scarce, illicit bread stocks.

No more anglers cast silent floats
On the teeming duck infested waters;
No rods and bait filled baskets
Bestrew the narrow concrete path,
Forcing me to trudge through
The muddied grassy verge
As a pair of greedy gulls stamp
Feet to tantalise tender worms.

A limpid sun shines apologetically
Above the mock Tudor tea rooms;
Nurses from near minor injury unit
Snatch fag breaks on the corner
Where discarded dog ends,
And twigs from overhanging trees,
Entice the ducks into mistaking
Them for a flavoursome breakfast,
(The fags and twigs, not the nurses).

After a day when few people pass
To witness the birdlife bedlam,
Dusk descends on a noiseless scene,
And a serene moon declines
Over Cheriton Road rooftops;
And in the littered concrete shelter,
Where youths habitually congregate
To drink and smoke and lark about,
There is neither light nor sound,
No need here for an enforced curfew.

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As the dread death toll still rises,
The public debate turns to when
We can come out of this crisis,
Be granted to walk free again.

Experts speak of apex and curve,
Reaching one, flattening the other,
Before we even have the nerve
To our former world uncover.

If we relax restrictive rules
Of business law and social life,
Is it a recipe for fools
To circulate more viral strife?

Might social distance still be right
To minimise exchange of breath?
Will my plain croissant and flat white
Be worth the price of pain and death?

We must think carefully what’s best,
Heed the need for work and wealth,
Saunter in the summer sun blessed,
Only hand in hand with good health.

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When this is over,
Will we still display humility,
And value the simple things
We have, rather than strive
Aimlessly, shamelessly for more?

We can,
But will we?

When this is over,
Will we still show the respect,
Gratitude and appreciation
For those once unregarded folk
Who keep us safe and healthy?

We can,
But will we?

When this is over,
Will we still show empathy,
Tolerance and compassion,
Qualities mislaid in recent years,
For those less fortunate?

We can,
But will we?

When this is over,
Will we still relish nature’s gifts?
Listen to the thrilling birdsong,
Smell the spring blossom,
And nurture our fragile planet?

We can,
But will we?

When this is over,
Will we still view the world afresh,
And accept our true place in it,
As mutual partners, not masters,
And, by doing so, secure our future?

We can,
But will we?

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Time, that skittish mistress,
Is playing her tricks on me again.

Two weeks now since lockdown,
(At least that’s what I’ve been told);
Disorientation swamps my senses,
My relationship to time
Is completely out of whack.

What day of the week is it?
Groundhog Day of course!
All the normal indicators
That would help me compute,
Like football on a Saturday,
Are no longer available to me.
Every day now is Sunday
And Wednesday
And Friday.

No longer can I put my
Absentmindedness
Down to a senior moment.

Time appears to stand still
And drags its feet,
But then appears to sprint away,
So fast I cannot keep up.

I am still half expecting to
Step into a coffee shop
Whenever the impulse takes me.

Yet, at other times, it is hard
To remember the time
Before our lives changed.
“Back in the day” no longer means
Decades, but just three weeks ago.

But then there is another,
More positive, aspect to this;
Those of us not engaged
In essential work,
Suddenly, confined to our homes,
Find ourselves with time on our hands.

A time for breathing,
A time for thinking,
A time for cleaning –
Our homes and our minds,
A time for learning new skills,
A time for gratitude,
A time for caring
For each other.

Soon enough I suspect,
That time will be gone,
When we may again be the slaves,
Rather than the masters, of time.

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In this unsettling moment
In our recent history,
When the privilege of
Rambling anywhere,
And for as long as I like
Is no more afforded me,
Where on earth might make
This torture tolerable?

Perhaps San Francisco,
Epicentre of my cultural cosmos,
And beloved second home
For a quarter of a century,
Would be where I yearn to be?
But with Shelter-in-Place
Shutting the shining city down,
Its renowned allure is lost.

Or would I feel more at home
Ambling through the narrow streets
Of Sorrento, Taormina or Naples,
Climbing the Campanile in Florence
Or canal hopping in Venice?
But it breaks my heart to see
Mia cara Italia cosi malata,
And I cannot be there either.

But I account myself so blessed
That I am just where I should be,
Where the thrilling, restless waves,
Expansive skies and rolling hills,
Make that strict daily exercise
So satisfying yet too short;
Folkestone has everything I need
Till from our present horror we are freed.

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Fancy a coffee?
Plenty of establishments
To choose from,
All over town they are,
Where you can sit and savour
Your black americano
Or caramel latte,
Even sneak a slice
Of millionaire’s shortbread.

Sorry………closed.

Run out of underwear,
Looking for a new dress,
Or, like me, you need
To get your cowboy boots heeled?
There’s plenty of shops
For you to browse and buy in.

Sorry……….closed.

Need some peace and quiet,
To rest your weary feet?
Pop in the library
And enjoy its warm embrace
As you scan the shelves
Or browse the events flyers.

Sorry………closed.

Is your hair getting too long
Or your nails are cracked?
The hairdresser or beautician
Will see you right in no time.

Sorry……….closed.

Caught short while out and about?
Drop by the town hall,
Asda, Sainsbury’s,
Or any of the aforementioned cafes,
Or Pleydell Gardens
Or Radnor Park.

Sorry………closed.

Arrange to meet a friend
And take a stroll along the prom?
Hug, hold hands
Or just walk side by side,
That costs nothing, surely?

Sorry……….not allowed.

All simple, everyday pleasures
We readily take for granted,
Now temporarily withdrawn.

An inconvenience, an irritation,
A jolt to our comfortable routine.

But a small price for our safety,
And the opportunity
To appreciate them again.

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No more lengthy seafront strolls,
Even where few others go,
And seductress sun beckons me
To bask in her luscious glow.

No more shopping in small stores,
Where shoulders rub far too close,
And breath commingles with breath,
Portents of potential fatal dose.

No more near social interaction,
We must scale back in good faith;
Our aims must all now be the same,
Staying home and keeping safe.

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