Feeds:
Posts
Comments

Posts Tagged ‘Leonardo da Vinci’


I was recently asked by a local magazine a series of questions about my poetry, its provenance and future plans. This is a transcript of the “interview”.

Can you remember your earliest interaction with poetry?

I suppose, like most children, nursery rhymes would have been the first poems that I engaged with. And then, as I progressed through primary and grammar school, I was exposed to Shakespeare, Wordsworth and the “classic” English poets. 

When did you realise that you not only had the talent and skill to be a successful poet but that you wanted to pursue a career in poetry?

That is making a big assumption! But, like most adolescent boys, I wrote soppy “love” poetry that, fortunately, has not survived! 

To readers who may not have heard you before, how would you describe your poetry?

I subscribe to Leonardo da Vinci’s claim that “simplicty is the greatest sophistication”, so don’t try to over cook the imagery or make the poems too wordy and obscure. I still, on occasions, like to use rhyme and traditional metre, whereas so much of modern poetry is now free verse (which I also do). If there is one goal I try to obtain in an individual poem, it is the creation of a mood, at atmosphere – show not tell I suppose. 

If you could pick the three most memorable moments in your career, what would they be and why?

I did write a three volume “novel” at the age of seven based upon the Tommy Steele song, “Little White Bull”. I am equally proud of the book on Kent cricket I co-wrote ten years ago which was very well received. But, aside from the adolescent stuff, it is only really since I retired from work and moved to Folkestone that I was inspired to write poetry regularly. There was a significant increase in my output during the first Covid-19 lockdown when I was producing a poem a day for several months. Some of those verses feature in my collection, Tickled by the Turning Tide: The Folkestone Poems, which was published only a week ago on 7th April. 

You are both stranded on a desert island and can only take one book with you, what book are you choosing and why?

As with the radio programme, I am assuming that I can take a complete works of Shakespeare as well? That is an almost impossible question to answer, and my view might change, dependent upon my mood on a particular day. But I will say – today – Ulysses by James Joyce for its radical approach to the novel but especially its humour and evocation of a place (as my Folkestone poetry testifies, it is a sense of place that often appeals to me).

What do you enjoy most about living in Folkestone and do you have any particular favourite go-to spots in the town?

How long is this piece meant to be?! Being by the sea, with all its benefits, has to be the most important factor, though Folkestone’s creative vibe has helped inspire my own work. And then there is the dining scene – one of my poems is entitled I Sit in Coffee Shops, and that pretty much sums up my everyday life! I could recommend so many places, but Marley’s, Django’s, Folklore (where I had my recent book launch) and Steep Street Coffee House are probably my top four, though there are several others that meet different needs at different times.

Has living in Folkestone and being by to the sea helped inspire any of your poems?

Clearly!

Given the past 36 months and the evolving digital world, what are your thoughts on the current status of poetry, will it still have a future in say 40, 50 years’ time and will it need to adapt to survive?

Judging by the growing attendances at the local Poets’ Corner, Folkestone group, the town’s poetry scene seems to be thriving. Whilst I found that Covid gave my poetry a significant boost, providing me with a mechanism by which I could come to terms with what was happening, I know that others were completely floored and could, or wanted, not to write anything. I believe we have now moved out of that depression and many, maybe even more, people are writing again. Poetry has been with us for thousands of years, and I expect it to continue to have a role in attempting to make sense of the world and articulating it in a thought-provoking and – important for these days – manageable way. 

Do you have any upcoming books that readers should look out for?

I have already mentioned the Folkestone poetry book, which is available online through all the major retailers and also being sold on my behalf in a several outlets throughout the town.  The best way at present to get your hands on a copy – and a signed one at that – is direct from me by messaging me on my Facebook pages or email at tonyquarrington@msn.com.

Do you have a future vision of what you would like to achieve over the next 5-10 years?

Absolutely – I have several projects on the go. For the past twelve years I have been putting together a book about my love for San Francisco, and with the immediate Folkestone project completed now, I can return to that. Since I moved to the town I have been keen to produce a modern tourist guide, based upon my walking tours that I have been delivering for the past six years. And with an Italian holiday on the horizon, I am hoping to write a travel diary, hopefully in poetic form. And possibly a second volume of poetry!

Read Full Post »


Far from Fisherman’s Wharf, on the north west tip of San Francisco, peering out across the vast Pacific, or “Sundown Sea” as the Native Americans called it,  lies Lands End. To the immediate south of that, Ocean Beach stretches towards Half Moon Bay, Pacifica, Monterey and ultimately the Mexican border.

OLYMPUS DIGITAL CAMERA

The following account  is aimed at highlighting some of the attractions to be found in this historic, and often wind and fog ravaged, corner of the city.     

OLYMPUS DIGITAL CAMERA

We start at the Beach Chalet on the western limits of Golden Gate Park. Separated from the beach only by the Great or Pacific Coast Highway, it was opened in 1925, essentially to provide changing rooms for beach-goers. It now houses a popular restaurant and boasts its own brewery.

OLYMPUS DIGITAL CAMERA

It almost goes without saying that it affords magnificent views of the beach and ocean across the road, lulling, as on the occasion pictured, the happy diner into the misapprehension that it is warm and without a breath of wind outside those large picture windows. After all, it was only June and this was still San Francisco.

OLYMPUS DIGITAL CAMERA

Before taking the stairs to the first floor restaurant, visitors should allow time to admire the lovely frescoes depicting life in San Francisco in the thirties, created by French-born cubist designer and former London Welsh rugby player,  Lucien Labaudt, for the Works Progress Administration (WPA).

OLYMPUS DIGITAL CAMERA

Venturing out into the gritty afternoon air after lunch, you should not forego a short detour into the park to relax and wander round the radiant Queen Wilhelmina Tulip Garden, home to the stately Dutch Windmill, the elder of two mills in the park designed to pump ground water for park irrigation.

OLYMPUS DIGITAL CAMERA

I have written about my affection for the Cliff House, a few hundred yards north as the road curves right onto Point Lobos Avenue, on several occasions, notably about the pleasure of eating there:

A Cliff House Brunch Date

OLYMPUS DIGITAL CAMERA

The current, rather plain and utilitarian, building is the fifth to bear the name on the site. Rebuilt in 1909 after burning to the ground two years earlier (it had survived the Earthquake and Fire of 1906), it houses two excellent restaurants – the street level bistro (pictured below) and Sutro’s below stairs, which offers a more elegant dining experience and equally spectacular wave and wildlife watching. In addition, it hosts weddings, corporate functions and other private events in the Terrace Room.

P1020192

The sea lions may have deserted this stretch of coast for a new stage from which they can better entertain the tourists on Pier 39, but Seal Rock(s) remains a fascinating feature that attracts hundreds of gulls , pelicans and cormorants.

The ingenious Camera Obscura, based on a fifteenth century design by Leonardo da Vinci, provides extraordinarily vivid 360 degree images of the birdlife on those rocks.

OLYMPUS DIGITAL CAMERA

Adjacent to the Cliff House lie the ruins of Sutro Baths, the once enormous entertainment complex built by Adolph Sutro – mining engineer, property developer and latterly the first Jewish mayor of the city – who had also constructed the second and most grandiloquent version of the Cliff House in French chateau style.

Comprising six saltwater tanks, a freshwater plunge, natural history museum, Egyptian mummies, amphitheatre and much else besides, the baths could accommodate 25,000 visitors at any one time. Understandably, it was San Francisco’s seaside playground for seventy years from 1896, though it had fallen into disfavour and disrepair long before, as so often in this city, fire finished the job in 1966, just six years before the equally popular and much loved Playland at the Beach close by  was torn down.

Treading among the rocks and pools that remain, one can almost imagine being on a Greek island or an Italian coastal village.

OLYMPUS DIGITAL CAMERA

Opened in the same year – 1937 – as the Golden Gate Bridge, Louis’ family owned restaurant has successfully withstood the competition from its more refined neighbours around the bend in the road, and continues to provide hearty, uncomplicated diner-style fare – and, of course, affords glorious views of the baths and ocean.

OLYMPUS DIGITAL CAMERA

From alongside Louis’, on El Camino del Mar, the road branches eastwards back towards the city, passing the impressive Palace of the Legion of Honour, the moving Holocaust Memorial and the extravagant enclave of Sea Cliff. A more rewarding course is to take the Coastal Trail on foot, winding around the headlands, and from which you can climb down onto China and Baker Beach. The Golden Gate Bridge flirts with the walker at every turn in the path and from behind every clump of trees.

OLYMPUS DIGITAL CAMERA

The Coastal Trail, with its stunning photographic opportunities, is worthy of a post in itself, so I’ll close with another Labaudt fresco from the Beach Chalet and a slightly more modern piece hung up in the bar of the Cliff House bistro.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Read Full Post »