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Posts Tagged ‘Steep Street Coffee House’


A biting breeze and thin drizzle denote December’s inevitable but uninvited return. Twilight descends on the ancient churchyard.

Never has the phrase “quiet as the grave” seemed more apt. 

As I pause to tie my bootlaces by the Town Cross, venue for the making of mayors for many centuries, my body shudders as a young woman brushes past me, the hem of her blue dress grazing the grass border, and her white headpiece fluttering in the wind. She carries provisions – bread, leeks and a small flagon of beer – for the poor in a round wicker basket, forswearing another potentially lucrative tryst with a Northumbrian nobleman, orchestrated by her frustrated father.

Her head bowed, she whispers “Good evening, sir, God be with you”. Before I can frame an intelligible response, she disappears behind the west window.  

Composing myself as best I can in the circumstances, I shamble on past the crumbling tombs, narrowly avoiding a collision with a rat, scurrying across my path to the sanctuary of the lopsided lychgate leading into Church Street. The Pullman pub is empty, save for a few flickering candles and a lone member of bar staff deep in conversation with his mobile phone. 

The lanterns of Rendezvous Street are unusually dim, and the restaurants are sparsely populated. 

The stillness is unnerving, but strangely thrilling.

I turn into the narrow, twisting, rain drenched street that slides down towards the harbour.

Many months have elapsed since chaotic, cacophonous Charivari had snaked up that old thoroughfare, all drums and whistles and cymbals, and other less conventional instruments. More recently, the ground had groaned beneath the burden of polished, red-laced “Doc” Martens, worn by follicly challenged pilgrims lumbering towards Gillespie’s and The Ship for an afternoon of Special Brew, and worship at the altars of Prince Buster and The Specials.

I am alone.

But am I?

The fog in my brain mirrors the slowly enveloping mist approaching from the bottom of the hill. Images of times past in this salty, saintly town start to consume my thoughts. 

Nothing is quite what it seems.

My longing for one last lingering look at the dazzling, daily alchemy conjured up in the rock shop near the top of the street Dickens christened a “crippled ladder” is soon answered. The heady, fashionable aromas of craft beer and Nicaraguan coffee cannot compete with the memory of the sickly sweet perfume radiating from that beloved spot, where, nose squashed against the glass, a small boy gasped in awe at the thick, long sticks of heaven being rolled.

“Let me in at the front, Michael, you’ve been stood there for ages”, pleads his tearful younger sister, Anna, her view obscured by the taller girl stood in front of her.

“Have they started giving out the bags of broken bits yet?”, another boy bellows from further back in the crowd.

A sudden, excited scrum confirms his suspicion as I catch an intoxicating whiff of granulated sugar.

It was often claimed that if Rowlands were to shut its doors for good, Folkestone would die; a prediction, thankfully, since proven dramatically wrong, 

I stumble into Steep Street Coffee House for cake and cappuccino, a combination that never fails to comfort. I am their last customer of the day and the staff, without being obtrusive, are cleaning up around me. The self-styled Folkestone Poet has vacated his customary sales pitch across the cobbles at Big Boys Burger, his heavy overcoat and leather balaclava no longer a match for the diminishing temperatures. 

I pass by Marley’s – or what I thought was Marley’s. From a dark upstairs room, redolent of patchouli and cigarette smoke, a loud, piercing jukebox exhorts me to “go to San Francisco” a seductive reminder of the original Summer of Love on such a bleak winter’s evening.

Two young men in afghan coats, and a messy profusion of facial hair, are huddled at the foot of the crippling, crumbling Bayle Steps. 

“Hey man, how’s it going?”

“Far out, whatcha doing’ tonight?”

“Going’ to Archies. The Lonely Ones are playing”.

Nice. I hear there’s some hot Swedish chicks in town too”.

“That’s settled then, Archie’s it is”. 

“Yeah, and I could kill for one of his salami rolls right now”.

I start to follow them through the door, only to find that the closer I get, the scene dissolves in the moist air, and I am left once more outside Marley’s rather than the Acropolis

The piercing cold slices through my flimsy denim jacket and hastens my progress to the bottom of the street. Everything is still again as I try to rationalise the scenes I have encountered in the past half an hour. 

I cross a deserted Tram Road car park and pass under the arch by Ovenden’s old forge into the empty fish market, tiptoeing around the grimy puddles that tend to settle there, whether it has rained or not. 

A solitary gull plods apologetically past, pining for Spring and the reopening of Chummy’s and Bob’s seafood stalls, when it will again be afforded means, motive and opportunity to ambush tourists for their fish and chips and tubs of whelks.

Pausing outside The Shell Shop, I appear to have stepped into an earlier time again. Men in cloth caps and heavy, seaweed encrusted boots trudge up the slipway opposite, lobster pots and herring nets half empty after an exhausting and disheartening shift. They slap their meagre catch on the floor of Fish Shed One, light cigarettes and congregate in whispered conversation.

‘Darkie” Fagg, “Cottage” Featherbe and “Lobby” Spearpoint are leaning on the railing and reminiscing about better days, while Old Ned Saunders, retired these ten years, is mending the sprat nets for a “free” pint or two in The Oddfellows Arms later this evening. 

On The Stade, wives and daughters juggle the demanding tasks of cleaning fish and supervising the smaller, and not so clean, children. 

Observing this picture, it is difficult to gauge which gender had the tougher life.

Meanwhile, grubby, barefoot young boys, oblivious to the dedication and drudgery of their elders all around them, chalk stumps on the wall of Clouts Alley.

“I’ll be Jack “Obbs, you can be Clarrie Grimmett. I’ll ‘it you into the “arbour, every time, just you see” brags nine year old Harry Sharp.

But with his first delivery, Clarrie, better known about these parts as Edmund, and, later years, “La La”, Taylor, traps Jack in front of his wicket and appeals for leg before.

“Owzat! Got you with me flipper, pom”.

A heated dispute follows, culminating in the great English batsman hurling his bat against the wall and storming off in the direction of Redman’s boat builders.

His mother, ankle deep in half gutted dogfish and three scruffy toddlers, calls: 

“Harry, your tea is ready. And find your brother before you come in”.

“Five more minutes, mum. I’ve got to bowl Don Bradman out first. it won’t take long”.

“Five more minutes, my arse – you’ve got thirty seconds. This tea won’t wait. If you don’t get to the table soon, the other kids will have your share”

A case of bad mum stopped play.

As this scene of family harmony evaporates, I hear, from across the harbour, a sergeant major’s earsplitting admonition to “Step Short”  to a long procession of uniformed men stomping down the slope from the Leas above.

The rhythmic sound of boots on concrete is accompanied by raucous renditions of Pack up Your Troubles in Your Old Kit Bag and It’s a Long Way to Tipperary, as the soldiers march to the waiting ships that will take them to the Western Front.

But there is one last treat before their sombre adventure begins.

Inside the harbour station waiting room, two formidable middle aged women adjust their pinafores and rearrange any curls that have slipped beneath their flower bestrewn boaters. They inspect the massive urns containing the last hot, strong tea most of these men will ever drink.

“Come on boys, form a straight line, you don’t have long, you know”, Flora Jeffrey cries out with a tinge of regret in her voice, while her sister Margaret cuts thin slices of trench cake and bread pudding to complete what, for many of these condemned men, will be their last meal.  

“And don’t forget to sign the visitors’ book before you do”.

“All right, all right, you sound like me muvver – nag, nag, nag”, one private who claims to be twenty one but looks barely sixteen, retorts, as he lurches towards Margaret and slurs:

“Give us a kiss”.

But before he can perfect this unwise manouevre, a grizzled veteran of Mafeking and Ladysmith yanks him back by his collar and barks:

“Show the ladies some respect, young ’un’. You ain’t in the playground now, y’know”.

“Sorry, old timer, I didn’t mean nuffin’ by it, it was just a bit of fun”.

Flora chuckles: “You got off lightly there, my boy, that’s nothing to what Margaret would have done to you if you’d got any nearer!”.

An outpouring of communal hilarity is unleashed, and the embarrassed teenager slinks back into the anonymity of the crowd.

I separate from the excited, but fearful, throng with the final strains of Keep the Home Fires Burning ringing in my ears, and join the boardwalk that connects the station with the base of the thirty year old water lift along the beach to the west. 

But I have hardly stepped foot on the old railway sleepers before finding myself in the midst of a large conglomeration of buildings, including a swimming pool, boating lake and fairground rides.

As I try to take all this in, a crew cut kid in knitted cardigan and khaki shorts can be seen rushing into a huge, dimpled dome that is destined to be his whole world for the next two weeks. He will never tire of rolling a penny for plastic motor cars or shooting a steel ball into a hole for packets of mints.

His father and mother, the latter clutching a wad of what appear to be tickets, frown as they dismount from the blue plastic seats they have occupied for the past two hours, where they had been subjected to an increasingly annoying loop of “legs eleven”, “two little ducks, twenty two” and “two fat ladies’ eighty eight”. 

The boy drags himself from the penny pusher slot machine and scampers towards them in a frenzy of excitement.

“How many wins did you get, mum?”.

“Eight”.

His heart sinks. “Oh no, that big cuddly monkey on the bottom shelf is nine wins. Can you play some more games and win it for me?”.

“We don’t have time, darling; besides dad and I want that nice set of tea trays that are eight wins. They will be just perfect for our TV dinners when we get home”.

“Boring”. 

Feeling betrayed and despondent, the boy skulks off in the direction of the Runaway Coaster.

But he is soon appeased by a promise to go to his favourite fish and chip restaurant in Tontine Street for tea.

Intermittent drizzle and mist has given way to steady rain and a thickening gloom. Hungry and shivering, I resolve to return home. 

Christmas lights bestride the street across the ragged rooftops, and retailers and restaurateurs contend for the accolade of best dressed window, though tonight there is nobody about to judge them. 

Apart from the echo of my boots upon the sodden cobbles, silence is restored.

Until I reach Archie’s.

From that same gloomy upstairs window from whence the Flowerpot Men had serenaded me two hours – and a hundred and fifty years – earlier, the Small Faces remind me that:

“It’s all too beautiful”. 

After the battering my senses have taken this evening, I remain to be convinced of the veracity of this hypothesis.

So I try, for the second time, to gain access to the old haunt of hippies and radicals.

As I take my first hesitant steps in its direction, fully expecting to find myself in Marley’s again, the doors open of their own accord and I am permitted to enter.

And there, waiting to greet me, is the original owner, Mickey Argegrou, who is anxious to introduce me to his special guests for the night. 

To my astonishment, St Eanswythe is here. The modest blue and white garments she had been wearing during our perfunctory encounter in the churchyard earlier have been replaced by brightly coloured, patterned flower dress and matching peaked hat. She is sampling her first ever cup of coffee and, judging by the uncharacteristic grimace that quickly follows, she is unlikely to order a second. Water from her own spring and the occasional small goblet of mead will remain her preferred tipples. 

With the final troop ship of the day, Engadine, set sail for Boulogne, and the Mole Cafe consequently closed, the indomitable Jeffrey sisters have swapped their pinafores for elegant three quarter length dresses. They appear to be conducting a taste test of Mickey’s famed rum babas, comparing them in the process with their revered fruit cake.   

John Brickell, still in his overalls and safety cap, is here too. He has disappointed his vast army of young fans by holding back the remnants of today’s rock rolling, handing the broken bits around to the grateful regulars, who find them a perfect accompaniment to their cocktails. 

And Harry Sharp, grown in the past hour into a handsome young man, but still smarting from his first ball duck at the Clouts Alley Oval, is feeding the jukebox, while Old Ned Saunders, released from his net repairing duties, though not separated from his favourite fisherman’s jumper, for the evening, is leading a communal sing along to the latest tune selected by Harry:

“Those were the days, my friend”.

After the scenes I have witnessed this evening, I am inclined to agree. 

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I was recently asked by a local magazine a series of questions about my poetry, its provenance and future plans. This is a transcript of the “interview”.

Can you remember your earliest interaction with poetry?

I suppose, like most children, nursery rhymes would have been the first poems that I engaged with. And then, as I progressed through primary and grammar school, I was exposed to Shakespeare, Wordsworth and the “classic” English poets. 

When did you realise that you not only had the talent and skill to be a successful poet but that you wanted to pursue a career in poetry?

That is making a big assumption! But, like most adolescent boys, I wrote soppy “love” poetry that, fortunately, has not survived! 

To readers who may not have heard you before, how would you describe your poetry?

I subscribe to Leonardo da Vinci’s claim that “simplicty is the greatest sophistication”, so don’t try to over cook the imagery or make the poems too wordy and obscure. I still, on occasions, like to use rhyme and traditional metre, whereas so much of modern poetry is now free verse (which I also do). If there is one goal I try to obtain in an individual poem, it is the creation of a mood, at atmosphere – show not tell I suppose. 

If you could pick the three most memorable moments in your career, what would they be and why?

I did write a three volume “novel” at the age of seven based upon the Tommy Steele song, “Little White Bull”. I am equally proud of the book on Kent cricket I co-wrote ten years ago which was very well received. But, aside from the adolescent stuff, it is only really since I retired from work and moved to Folkestone that I was inspired to write poetry regularly. There was a significant increase in my output during the first Covid-19 lockdown when I was producing a poem a day for several months. Some of those verses feature in my collection, Tickled by the Turning Tide: The Folkestone Poems, which was published only a week ago on 7th April. 

You are both stranded on a desert island and can only take one book with you, what book are you choosing and why?

As with the radio programme, I am assuming that I can take a complete works of Shakespeare as well? That is an almost impossible question to answer, and my view might change, dependent upon my mood on a particular day. But I will say – today – Ulysses by James Joyce for its radical approach to the novel but especially its humour and evocation of a place (as my Folkestone poetry testifies, it is a sense of place that often appeals to me).

What do you enjoy most about living in Folkestone and do you have any particular favourite go-to spots in the town?

How long is this piece meant to be?! Being by the sea, with all its benefits, has to be the most important factor, though Folkestone’s creative vibe has helped inspire my own work. And then there is the dining scene – one of my poems is entitled I Sit in Coffee Shops, and that pretty much sums up my everyday life! I could recommend so many places, but Marley’s, Django’s, Folklore (where I had my recent book launch) and Steep Street Coffee House are probably my top four, though there are several others that meet different needs at different times.

Has living in Folkestone and being by to the sea helped inspire any of your poems?

Clearly!

Given the past 36 months and the evolving digital world, what are your thoughts on the current status of poetry, will it still have a future in say 40, 50 years’ time and will it need to adapt to survive?

Judging by the growing attendances at the local Poets’ Corner, Folkestone group, the town’s poetry scene seems to be thriving. Whilst I found that Covid gave my poetry a significant boost, providing me with a mechanism by which I could come to terms with what was happening, I know that others were completely floored and could, or wanted, not to write anything. I believe we have now moved out of that depression and many, maybe even more, people are writing again. Poetry has been with us for thousands of years, and I expect it to continue to have a role in attempting to make sense of the world and articulating it in a thought-provoking and – important for these days – manageable way. 

Do you have any upcoming books that readers should look out for?

I have already mentioned the Folkestone poetry book, which is available online through all the major retailers and also being sold on my behalf in a several outlets throughout the town.  The best way at present to get your hands on a copy – and a signed one at that – is direct from me by messaging me on my Facebook pages or email at tonyquarrington@msn.com.

Do you have a future vision of what you would like to achieve over the next 5-10 years?

Absolutely – I have several projects on the go. For the past twelve years I have been putting together a book about my love for San Francisco, and with the immediate Folkestone project completed now, I can return to that. Since I moved to the town I have been keen to produce a modern tourist guide, based upon my walking tours that I have been delivering for the past six years. And with an Italian holiday on the horizon, I am hoping to write a travel diary, hopefully in poetic form. And possibly a second volume of poetry!

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I sit in coffee shops, 

That’s what I do,

Sometimes outside, 

To take in the view.

There I write poems 

Or post updates online,

To let my friends know 

That I’m doing fine.

I might have a big breakfast

Or occasionally brunch,

And if I stay long enough,

It might stretch to lunch.

Cappuccino, no chocolate,

Is my customary drink,

But after two or three,

I can’t hear myself think.

So I revert to a pot

Of refreshing Earl Grey,

Instead of just leaving,

It allows me to stay.

I quite like the quiet,

But am up for a natter,

With anybody else

There for that matter.

If I’m using my laptop

Which is not that robust,

To keep it performing

A wall socket’s a must.

Django’s and Steep Street

Are my regular haunts,

Eleto and the Hideaway,

And Brown’s on my jaunts.

I love Bobbies too

In the old harbour station,

And the literate Lift Cafe

By the regeneration. 

There are a few others

I sometimes frequent,

But not conducive to writing,

So my time’s not well spent.

I sit in coffee shops, 

That’s what I do,

Sometimes outside, 

To take in the view.

,

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Consigned to cold cobbles and
An orange plastic table and chair,
I wait for the coveted inside spot;
Anything will do – armchair, table with chalks,
It need not even be my favourite window seat,
I can work my way towards that
If I stay here long enough;
Watching for the slightest movement inside,
Indicating an imminent departure,
I must still keep my eyes peeled for
Later arrivals spying my space,
I am comforted, however, in the knowledge
That the staff have my back in this.

I kill the time in earnest debate
With a passing trader over whether
He should shave his beard off or not,
Twin enemies of bare patch and grey
Are sowing doubt in his anguished mind.

At least the unremitting building work
On the winding street the non-PC Dickens
Dubbed the “crippled ladder”,
Is quelled for a short blissful spell;
And I can hear the Four Tops and Marvin Gaye
Providing a soulful accompaniment
To the constant musical chairs inside.

My small cappuccino emerges in time
To warm my gloveless hands and heart,
And fend prospective boarders off at the pass
Before they dare to claim my appointed place,
Wedged between counter and disabled loo;

A large family hovers and dithers with door ajar
Over whether to wait their turn, or seek out
Alternative, but never better, coffee shops;
An impassioned argument ensues on whether
The apple crumble cake with plum compote
Is sufficient enticement to make them stay.

It is.

Errol Brown croons of his belief in miracles,
And following my brief captivity on the street,
I am now inclined to agree with him.

Another stand of lemon, almond and polenta cake,
Today’s obligatory and luscious vegan option,
Is borne on high from the kitchen downstairs,
Like a triumphant Roman emperor,
Before the plebeian hordes salivating below.

A small, blonde girl in blue denim dungarees
Sits transfixed by Peppa Pig on her iPad,
While mum ransacks more than her rightful share
Of chocolate orange cake meant for her daughter;
And a chihuahua named Molly plants itself
On the only available chair.

But then, suddenly and with no warning,
The once overcrowded interior
Thins out mysteriously;
I can only speculate that the departing hordes
Are all rushing for the Love Train
That the joyous O’Jays now sing about
Above the diminishing chatter.

But a new batch of shivering hordes
Are soon shuffling through the half open door
To take their places in the lengthening queue.
The warm, cozy, civilised atmosphere,
Delays my planned perambulation
Of the gloomy, abandoned harbour.
So I order a second small cappuccino
And that last slice of…………
Blueberry and walnut cake!

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When the day trippers leave

When the tattoos are covered up
And unsightly bellies are put away

When the swearing stops outside the pubs
And childrens’ squeals at the fountains
Turn to grumpy ingratitude

When the car parks empty
And the trails of traffic cease

When weary families trudge back
Up the crooked Old High Street

When I can get a seat again at Steep Street.

When I don’t stumble over
Discarded chip boxes and plastic beer glasses

When the angry squawk of the gulls
Is reduced to a plaintive mew

When Harbour Arm food stalls are locked
And music and laughter have faded into silence

When the ghosts of Hengist and Horsa
And the Orient Express caress my memory

When the sun disappears and clouds return
And waves lash against the Copt Point rocks

When the day trippers leave

That is my time

That is my Folkestone.

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(10 am, Steep Street Coffee House)
Only two people,
It’s ninety degrees out there,
I’m an OAP
And I don’t need the money.

I really can’t be arsed;
I think I’ll just order
Another pot of Earl Grey.

(checking phone)
Please let there be a new message
Saying they can’t make it.
I do wish their car would break down,
Or they can’t find the bottom of the Old High Street
Where we are scheduled to meet.
Or – wash my mouth – one of them is taken ill.

Damn……no messages.

What’s wrong with me?
I whinge and whine
About people not turning up,
And then when I get bookings
I can’t be bothered!

But wait a minute.

I’m a pro,
I can’t let them down.

And it’s time,
I can’t get out of this.

Right…..deep breaths,
Big smile.
Let’s do this.

Sigh.

(Three hours later, back in Steep Street Coffee House, knackered and sunburnt)

Well, that was great!
What a nice couple,
Showed a real interest,
Even laughed at my lame jokes.

So what do I do now?

Well, that’s obvious,
A beer and a toasted sandwich.

But then what?
The day is still young.
Go home, flake out
And watch some crap tv?

Or stumble into a bar
For another beer?

Wander round the harbour?
Oh no, I’ve just done that.

Promote the next tour?
No it’s too soon.

Throw myself off the East Head?
Now that would be reckless.

Jump around in Chummy’s fountain?
No, I might get arrested for that.

No, what I need to do is another tour.

Now.

I wonder if I can find another couple.

No, I can’t be arsed.

Beer it is then.

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A biting breeze and thin drizzle
Denote December’s arrival,
As twilight descends on the
Twisting, narrow street
Once one of Dickens’s daily haunts.

Many months have passed since
Crazy, cacophonous Charivari
Had snaked up that old thoroughfare;
And the ground had groaned
Beneath the weight of red-laced “Doc” Martens,
Worn by pilgrims strutting towards the
Grand Burstin or Gillespie’s
For an afternoon of Special Brew
To the sounds of The Selecter,
Prince Buster and The Specials.

 

I turn into that quiet, twinkling lane
And long for one last lingering look
At the dazzling, daily alchemy
Conjured up in Rowland’s Rock Shop.

The aroma of craft beer
Wafting from Kipps’ Alehouse
Cannot compete with the memory
Of the sickly sweet perfume
Pervading Rowland’s, where
Once I gaped in awe at the
Thick, long sticks of heaven being rolled,
A bag of broken bits
A highlight of my annual holiday.

It was often claimed that if it
Were to shut its doors for good,
Folkestone would die.
A prediction, thankfully,

Since proven dramatically wrong,

 

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I stumble into Steep Street Coffee House
For flat white, cake, warmth and inspiration.
The self-styled Folkestone Poet
Has vacated his customary sales pitch
Across the way at Big Boys Burger,
His heavy overcoat and leather balaclava
No more a match for declining temperatures.

The bitter cold slices through my flimsy jacket
And hastens my progress down the hill,
But not without momentary glances
On either side at steepling steps
To ancient Bayle and modern Tontine Street.

 

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I cross into the empty fish market,
Tiptoeing around the grimy puddles
That appear to assemble here
Whether it has rained or not.

A solitary gull plods apologetically past,
Pining for Spring and the reopening
Of Chummy’s, Bob’s and La’s,
When it can return to terrorising tourists
For fish and chips and tubs of whelks.

Back at the foot of the winding street,
Christmas lights flutter into action
As children huddle excitedly
Outside Blooms for tonight’s instalment
Of the Living Advent Calendar,
Jewel in the crown of
Folkestone’s festive year.

Apart from the echo of my boots
Upon the cobbles,
Silence is restored
As I drag my freezing bones
Back up the hill.

But………..
As I turn the corner
At the top
I stop.

Was that really
A childlike squeal I heard?
And did I just catch
A whiff of granulated sugar?

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