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Posts Tagged ‘Tony Quarrington poet’


Does the bay still sparkle in the noon ripe sun,

And the fog still surround the golden gate?

Is Fisherman’s Wharf still geared up for fun

And tie-dye clothes the preserve of the Haight?

Do cable cars still crest the hills so free;

And Alcatraz lighthouse blink through the clouds?

Do Muni cars still reek of pot and pee,

And bison in the park still shun the crowds?

Do men still strut the Castro in the nude,

And will the umpire still shout“let’s play ball”?

Will Blue Arrows at Fleet Week still be viewed;

And sea lions still have tourists in their thrall?

So long since I have seen these with my eyes,

But still I believe the phoenix will soon rise.

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How can they do that day after day.

Put themselves at risk in our defence,

Surrounded at work by death and decay,

Our gratitude their only recompense?

How can they do that day after day,

Spit in the face of those who only care,

By their thoughtless actions make others pay,

And extend the duration of this scare?

We see the best and worst of us expressed,

The selfless and the selfish show their hand

While many heed the call to do what’s right,

Some congregate, not caring that it’s banned.

But sacrifice and love must soon prevail’

For all our futures sake we dare not fail.

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A biting breeze and thin drizzle

Denote December’s inevitable

If uninvited return;

Twilight descends

In the ancient churchyard.

Never has the phrase

“Quiet as the grave”

Seemed more apt.

As I pause to tie my bootlaces

By the Town Cross, venue for

Mayor making for centuries,

My body shudders as

A young woman brushes past,

The hem of her blue dress

Grazing the grass border

And her white headpiece

Fluttering in the wind.

She carries provisions –

Bread, leeks and a

Small flagon of beer –

For the poor of the parish

In a round wicker basket,

Forswearing another

Potentially lucrative tryst

With a Northumbrian nobleman,

Orchestrated by a despairing father.

Her head bowed, she whispers

“Good evening, sir, God be with you”.

Before I can frame

An intelligible response,

She disappears behind the west window. 

Composing myself as best I can,

I shamble past unremembered tombs,

Narrowly avoiding a collision

With a rat scuttling across my path

To the comparative sanctuary

Of the lopsided lychgate

Leading into Church Street.

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This is a writer’s town.

Where, in quiet corners of coffee shops,

Caressing cake and cappuccino,

On new varnished cliff top benches, 

In tiny studio apartments,

And above galleries and gift shops,

Diligently, they polish their craft

In solitude and patient struggle.

Where, down the steep, unforgiving hill,

Past higgledy-piggledy buildings

That shelter the secrets of centuries,

Old men, like modern day gunslingers,

Shuffle with shabby, sagging satchels

Stuffed with story scraps and post-it notes,

Lassoed around their wrinkled necks.

Where restless waves wash over shingle,

Shifting the site of a billion pebbles,

And where small, redundant, fishing boats,

Their hulls rotting and history forgotten, 

Are nudged and tickled by the turning tide

And then left for dead as the sea sweeps back.

Where, on a mile long thoroughfare

Of lawn and flowers and grand hotels,

Echoes of genteel, whispered discourse

Float across the unremitting breeze,

And the plaintive cry of a seagull chick

Resonates across the ragged rooftops.

Where the solemn chimes of an ancient church

Dedicated to an Anglo-Saxon girl,

Ring out at dusk under Shelley’s pale moon,

And where cracked, crippling, steep steps

Unsettle the anxious wandering scribe

Searching seaward for that elusive line.

This is a writer’s town.ffee shops,

Caressing cake and cappuccino,

On new varnished cliff top benches, 

In tiny studio apartments,

And above galleries and gift shops,

Diligently, they polish their craft

In solitude and patient struggle.

Where, down the steep, unforgiving hill,

Past higgledy-piggledy buildings

That shelter the secrets of centuries,

Old men, like modern day gunslingers,

Shuffle with shabby, sagging satchels

Stuffed with story scraps and post-it notes,

Lassoed around their wrinkled necks.

Where restless waves wash over shingle,

Shifting the site of a billion pebbles,

And where small, redundant, fishing boats,

Their hulls rotting and history forgotten, 

Are nudged and tickled by the turning tide

And then left for dead as the sea sweeps back.

Where, on a mile long thoroughfare

Of lawn and flowers and grand hotels,

Echoes of genteel, whispered discourse

Float across the unremitting breeze,

And the plaintive cry of a seagull chick

Resonates across the ragged rooftops.

Where the solemn chimes of an ancient church

Dedicated to an Anglo-Saxon girl,

Ring out at dusk under Shelley’s pale moon,

And where cracked, crippling, steep steps

Unsettle the anxious wandering scribe

Searching seaward for that elusive line.

This is a writer’s town.

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Oh, where have you been, my blue-eyed son?
And where have you been, my darling young one?

I stumbled and I fell into a dozen large potholes
I slipped and I slid on a hillock of dog poo

I tripped and I got cut on steps to the harbour
I’ve been by the seashore where waves were a-lashin’

I’ve been stood by a tower whose paint was a-peelin’

And it’s a hard, it’s a hard
It’s a hard, it’s a hard
It’s a hard times in Folkestone.

Oh, what did you see, my blue-eyed son?
And what did you see, my darling young one?

I saw piles of old clothes in empty shop doorways

I saw neglected buildings with sharp, shattered windows

I saw roadworks and barriers on every street corner

I saw half-eaten hamburgers tossed in the gutter

I saw discarded needles in the narrow, dirty alley

And it’s a hard, it’s a hard
It’s a hard, and it’s a hard
It’s a hard times in Folkestone.

And what did you hear, my blue-eyed son?
And what did you hear, my darling young one?

I heard the sound of the seagulls circling the chip shops

I heard the whistling of wind around beachfront apartments

I heard teenagers speak with scanty vocabulary

I heard adults speak with swear words a-plenty

I heard a helicopter hovering above a small park

And it’s a hard, it’s a hard
It’s a hard, it’s a hard
It’s a hard times in Folkestone.

Oh, what did you meet, my blue-eyed son?
And who did you meet, my darling young one?

I met visitors staring at signs near the station

I met lines of sad people queuing up for free food

I met rough sleepers drunk in a garden of flowers

I met men passing white packets to children

I met women who asked if I wanted company

And it’s a hard, it’s a hard
It’s a hard, it’s a hard
It’s a hard times in Folkestone.

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Three hours in a stuffy airport lounge

Is all the time I’ve spent with you,

An irritating blip on an autumn trip

To Atlanta’s tempestuous stew

On the day an English princess

Was laid to rest in shocked world’s view.

Home to Dylan and Lakota brave,

Iron mines, snow and natural ice,

Tonight, my tears flow long for you

Who have for your pride paid the price

By standing strong against the hate

Spreading love ‘gainst loaded dice.

If this madness should ever cease

I will, with you, come share that peace.  

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I have stood beside the crossroads

And massaged the liberty bell;

I have skied down lakeside mountains

And ridden rollercoaster hell;

I have peered into deep canyons  

And seen eagles in desert skies;

I have sat aboard the L train

And tried on cowboy boots for size;

I have walked across great bridges

And crawled up long, steepling streets;

I have held gators in my hand

And witnessed giant sporting feats.

No more will I do these again

While hate and cruelty maintain.

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The café door creaks open and a cheerless couple,

Thirty-five years together today, shuffle to an empty table.

Their order of two large one shot lattes,                                                        

And a slice of carrot cake with two teaspoons.

Is taken by the bright young female server.

Their coffees, which would earn a Neapolitan barista

Instant dismissal with their passable similarity to

The water in which the cups will later be washed,

Are delivered with another winning smile.

Husband and wife instantly reach for their smartphones

And settle into a prolonged and gloomy silence.

Not a word passes their lips, save for the occasional

Whisper to share the contents of an email

Or comment on a social media thread,

A sigh or nod the barely perceptible response.

They remain as wedded to their screens

As their thirteen year old grandchildren,

Whose own behaviour at the breakfast table

Incurs their disapproval and chastisement.

They leave the café as quietly as they arrived,

Avoiding the jaunty “thank you, see you soon”

From beside the espresso machine.

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To climb those hundred, hollow creaking stairs

And shuffle onto tiny wooden benches,

And listen to those around me,

With their home counties accents

And rude sense of entitlement,

Grumbled that their squashed up seats,

Even with their paid for padded cushions,

Aweayre too narrow, too cramped, too hard,

Too damned uncomfortable for their

Four hundred years evolved backsides.

To queue for what seems hours at the bar,

Jostled, muttered at, and splashed with beer

By every sweaty, tie-dyed passed by

Who left it late to heed the bathroom call;

And drenched again as hey return,

still attending to their open flies,

(No washing of hands here),

To catch the band’s favourite song of theirs

And muscle into my dancing space

Beneath the players on the stage.

To search, perchance to find

That cherished corner in the church

Of coffee, cake and ten thousand books.

Wherein I can plant myself for hours

And pen these verses or plan new work;

Only to find that a young family of four,

Day trippers from their wide eyed curiosity,

Have been patiently lurking all the while

At the end of the frantic, noisy counter.

Ready to claim the table that belongs to me.

To cram in the case that last best pair of shorts,

Only to find the balance tipped on the scales

Cursing the traffic on the motorway approach,

And then to be told of a delay of three hours;

To lose wifi, and thus your boarding pass,

At that most crucial moment beside the gate,

To spend eleven hours imprisoned in a box,

Wedged in by by the largest passenger on board,

And learn your entertainment system’s out of order

And your sole preferred meal option has run out.

All these, and a thousand other irritations

That filed our lives with strain and care,

I crave that they might yet soon return,

For every one I could now gladly bear.

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When Paddy first played the pipes for me

I was transported back to ’68,

To a Skibbereen bar on a Saturday night

Where songs were sung of rebels’ fate.

Sixteen years old with fresh shaven head,

Rarely to be cut for five more years,

Heedless of the history of my hosts,

Oblivious of their eight centuries’ tears.

My first bitter pint of porter downed

And just as rapidly brought up again,

But my Irish roots were now confirmed,

From Tipperary via Hounslow I came.

And then a father staggering to his feet

In answer to the locals’ “your turn” shout,

Sang “My old woman and ‘er seven kids

Were a pickin’ all the big ones out”.

Instant celebrities we had become

Through this doggerel of a cockney lass,

Free drinks proffered and prolonged applause

And talk of the church next morn at Mass.

Vouchsafed the keys to Mrs McCarthy’s pub,

On fishing boats in cold Atlantic waters taken

To catch a multitude of mackerel and skate,

All these did my Irish heritage awaken.

When Paddy first played the pipes for me

I was transported back to ’68

To a Skibbereen bar on a Saturday night

Where songs were sung of rebels’ fate.

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